When Rise of the Planet of the Apes was announced, expectations were not high. As a prequel to an awful remake of a movie that wasn't exactly an all time classic, its pedigree was sketchy to say the least. Thus came as a shock to nearly everyone when it became one of the biggest summer hits of the. Rise wasn't just watchable, or even pretty good; it's one of the best "B" movies of recent, entertaining and surprisingly human.
The series of events that will one day cause a time displaced astronaut to gaze despairingly upon the ruins of the Statue of Liberty begins not surprisingly with science. Medicine to be exact. Young researcher Will Rodman, played by James Franco is on the cusp of developing a drug that can cure Alzheimer's, his father's included. It just so happens that this drug not only repairs damage to the brain, but makes the subject smarter, as shown in trials with chimpanzees. Due to unexpected complications these trials don't exactly work out in the end, and the test subjects are put down. But one of them had a child, Caesar Raised like a son by Rodman, Caesar shows remarkable intelligence beyond even his mother, learning hundreds of words in sign language, understanding human speech, even scoring higher on intelligence tests than human children of the same age. There seems no limit to how much he can learn, or to what the drug that gave him his intelligence can do for humans. But this isn't an inspiring story of medical breakthroughs. A tragic misunderstanding and Caesar's own animal nature result in him being separated from his family, a prisoner among his own kind. He is not happy with his new situation, and he has a plan to change it.
The plot is hardly more complicated than I've described it, and is somewhat over reliant on coincidence and bad human decisions. Thankfully Rise is not driven by its plot, but by its central character. Caesar is quite simply a miracle of special effects. In only a decade CGI and motion capture technology has advanced to a degree that makes Lord of the Ring's Gollum seem almost listless by comparison. Caesar looks so real he could pass for a live chimpanzee if he didn't do things that no real chimp could ever be trained to do. Although he only speaks a few words late in the film, his facial expressions and gestures say more than enough.
Early on you can tell that Caesar is not only a thinking being, but a feeling one as well. Like a human he feels love, anger, desire, and fear. He understands the concept of family, and based on one overly sappy scene he seems to have a fair understanding of human mating rituals. When he finds himself caged in a primate sanctuary, he understands just enough of the situation to feel betrayed. And we can't help but feel sympathy for him. As he establishes his leadership over the other primates and plans his uprising, part of us roots for him, even though we know what it will eventually mean for humankind.
The first half is admittedly slow for an action movie, but when the action starts it really gets going. The sight of Caesar and his followers rampaging through downtown San Francisco makes for a wonderfully entertaining spectacle, which only gets better as the humans start fighting back. Much of what takes place is naturally ludicrous if you stop to think about it. Even with human level intelligence there's no way a hundred apes could overcome a major city police department, but their battle is so fast paced and cleverly staged that we're willing to suspend disbelief. If the ewoks could defeat the Empire then why can't Caesar's cohort make monkeys of the cops? Rise of the Planet of the Apes is by no means perfect. As mentioned the plot is standard B movie fare, and calamity could have been avoided if a few people hadn't taken unnecessary risks or just not been complete jerks. The human characters also aren't as well developed as their simian co-stars. Franco's boss in particular comes off as one dimensional and the film's attempt to make him something of an antagonist never really works.
That said, Rise is well paced and more emotionally engaging than any Planet of the Apes movie has a right to be. Coming on the heels of Avatar it also further showcases what the latest in FX tech can contribute to storytelling when used properly. And it delivers all the excitement a summer blockbuster should. Even if you were never a fan of the originals, this one is worth checking out on DVD or streaming.
The series of events that will one day cause a time displaced astronaut to gaze despairingly upon the ruins of the Statue of Liberty begins not surprisingly with science. Medicine to be exact. Young researcher Will Rodman, played by James Franco is on the cusp of developing a drug that can cure Alzheimer's, his father's included. It just so happens that this drug not only repairs damage to the brain, but makes the subject smarter, as shown in trials with chimpanzees. Due to unexpected complications these trials don't exactly work out in the end, and the test subjects are put down. But one of them had a child, Caesar Raised like a son by Rodman, Caesar shows remarkable intelligence beyond even his mother, learning hundreds of words in sign language, understanding human speech, even scoring higher on intelligence tests than human children of the same age. There seems no limit to how much he can learn, or to what the drug that gave him his intelligence can do for humans. But this isn't an inspiring story of medical breakthroughs. A tragic misunderstanding and Caesar's own animal nature result in him being separated from his family, a prisoner among his own kind. He is not happy with his new situation, and he has a plan to change it.
The plot is hardly more complicated than I've described it, and is somewhat over reliant on coincidence and bad human decisions. Thankfully Rise is not driven by its plot, but by its central character. Caesar is quite simply a miracle of special effects. In only a decade CGI and motion capture technology has advanced to a degree that makes Lord of the Ring's Gollum seem almost listless by comparison. Caesar looks so real he could pass for a live chimpanzee if he didn't do things that no real chimp could ever be trained to do. Although he only speaks a few words late in the film, his facial expressions and gestures say more than enough.
Early on you can tell that Caesar is not only a thinking being, but a feeling one as well. Like a human he feels love, anger, desire, and fear. He understands the concept of family, and based on one overly sappy scene he seems to have a fair understanding of human mating rituals. When he finds himself caged in a primate sanctuary, he understands just enough of the situation to feel betrayed. And we can't help but feel sympathy for him. As he establishes his leadership over the other primates and plans his uprising, part of us roots for him, even though we know what it will eventually mean for humankind.
The first half is admittedly slow for an action movie, but when the action starts it really gets going. The sight of Caesar and his followers rampaging through downtown San Francisco makes for a wonderfully entertaining spectacle, which only gets better as the humans start fighting back. Much of what takes place is naturally ludicrous if you stop to think about it. Even with human level intelligence there's no way a hundred apes could overcome a major city police department, but their battle is so fast paced and cleverly staged that we're willing to suspend disbelief. If the ewoks could defeat the Empire then why can't Caesar's cohort make monkeys of the cops? Rise of the Planet of the Apes is by no means perfect. As mentioned the plot is standard B movie fare, and calamity could have been avoided if a few people hadn't taken unnecessary risks or just not been complete jerks. The human characters also aren't as well developed as their simian co-stars. Franco's boss in particular comes off as one dimensional and the film's attempt to make him something of an antagonist never really works.
That said, Rise is well paced and more emotionally engaging than any Planet of the Apes movie has a right to be. Coming on the heels of Avatar it also further showcases what the latest in FX tech can contribute to storytelling when used properly. And it delivers all the excitement a summer blockbuster should. Even if you were never a fan of the originals, this one is worth checking out on DVD or streaming.