4/10
Remembering the night of their double indemnity, but there's always tomorrow.
9 September 2014
Warning: Spoilers
A romantic comedy/drama, a dangerous film noir, and a soap opera about adultery rounded out three of the four films that Barbara Stanwyck and Fred MacMurray made together. The first, "Remember the Night", is a sleeper that has gained prominence in its reputation. "Double Indemnity" is of course one of the all time great thrillers, and "There's Always Tomorrow" is an acceptable, if predictable, women's picture. In the case of "The Moonighter" (a film I have been trying to track down for years), the 3-D western (lacking that element on DVD) is a slight disappointment, mainly because the script is so shoddy and the lead male character isn't somebody you really root for.

In "Remember the Night", MacMurray was a D.A. who prosecuted Stanwyck for shoplifting but took her home for the holidays. Here, it is almost the opposite. He's a cattle rustler due to be hanged, but by a strange twist of fate, another man is hanged in his place. The one thing I can give the script credit for is showing conscience in MacMurray's reaction to the removal of the wrong man and his viewing the corpse being shot down from the tree where he was meant to swing. Former girlfriend Stanwyck shows up to claim the corpse with his brother (William Ching) whom she has fallen in love with and instantly knows that he is really alive. Their reunion is tense, especially when he reluctant involves Ching in a bank robbery he has planned with old co-conspirator Ward Bond. Of course, things don't go well for Ching, so Stanwyck vows revenge against her old lover.

This is where Stanwyck obtains a sheriff's badge, determined to bring MacMurray and Bond back. She's really handy with a gun (as shown in the confrontation with the really bad Bond), but she's not wearing waterproof boots which make her slide down the side of a huge waterfall. It's an incredibly tense moment and appears that Stanwyck performed the stunt herself. In print, everything seems fine, and structurally, the film isn't bad. But MacMurray's amoral character, even with guilt over the poor man's place on the tree instead of him, is certainly guilty of villainous behavior, so there's no way you want to see him have a happy ending, especially after MacMurray and Bond do what typical co-conspirators in a robbery do and try to betray each other.

There's really no point to the 3-D filming, especially since the movie is in black and white and would look extremely flat for the majority of the running time. There are some tense moments, and the action sequences are well shot, but the dialog and the unbelievability of many of the things going on takes away its credibility. Stanwyck, as always, brings out the many layers of her character and delivers a believable performance, but MacMurray isn't worthy of her affections. The ending left me very cold, lacking the "Double Indemnity" type finale I had hoped for. Out of nowhere comes an unnecessary intermission! The only thing this is missing is a Frankie Laine song, but Stanwyck got that for her Mexican adventure, "Blowing Wild".
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