I have not seen much of "American Dad" or "Family Guy" animated series which he created for television. I also have not seen his first major foray into the silver screen, as the voice of Mark Wahlberg's libidinous teddy bear Ted. With "A Million Ways to Die in the West", the talented comic Seth McFarlane makes his debut as a bonafide leading man in a motion picture.
"A Million Ways" is about Albert Stark (Mc Farlane), a genteel sheep farmer who is not cut out for the rough and violent life in the American West in 1882. After his lady love Louise (Amanda Seyfried) dumps him for a rich mustache salon owner Foy (Neil Patrick Harris), Albert meets and falls in love with the skilled gunslinger Anna (Charlize Theron). Unfortunately, Anna just happened to be the wife of the notorious outlaw Clinch (Liam Neeson).
Despite its tendency to go overboard with the disgusting toilet humor, gory violent humor and gross-out sexual humor, which I believe are trademarks of McFarlane humor, I have to say that this film still remains really funny in a most charming way. I think it has its talented cast to thank for this.
McFarlane's fresh clean cut looks and awkward charm are perfect for fish-out-of-water Albert. Charlize Theron is gorgeous here as Anna, the windswept outdoorsy look becomes her. The two of them had an effective chemistry going for them. Neil Patrick Harris is as irritatingly funny as his arrogant mustache. Liam Neeson was so sinister and mean, which makes his scene with a daisy simply hilarious. In addition, there is chameleon-like Giovanni Ribisi and the irrepressible Sarah Silverman gleefully playing the ironic Christian couple -- the shy virgin Edward and the popular whore Ruth.
The cinematography capturing the breathtaking vistas of the New Mexico desert was noteworthy in its brilliance. The country-style musical scoring had a sense of humor. That square dance number to the song about mustaches was rollicking fun. The costume designs and production design was meticulous for its period, even though many parts of the script's language was not.
The screenplay had so many potentially offensive references which fly fast and furious in the witty repartee, but the cast's amiability and bright smiles somehow make them forgivable in the name of a good time. There are a couple of unexpected cameo appearances of characters from other films which add to the fun mix. I had a really good time with this good-natured satire of the Western genre.
"A Million Ways" is about Albert Stark (Mc Farlane), a genteel sheep farmer who is not cut out for the rough and violent life in the American West in 1882. After his lady love Louise (Amanda Seyfried) dumps him for a rich mustache salon owner Foy (Neil Patrick Harris), Albert meets and falls in love with the skilled gunslinger Anna (Charlize Theron). Unfortunately, Anna just happened to be the wife of the notorious outlaw Clinch (Liam Neeson).
Despite its tendency to go overboard with the disgusting toilet humor, gory violent humor and gross-out sexual humor, which I believe are trademarks of McFarlane humor, I have to say that this film still remains really funny in a most charming way. I think it has its talented cast to thank for this.
McFarlane's fresh clean cut looks and awkward charm are perfect for fish-out-of-water Albert. Charlize Theron is gorgeous here as Anna, the windswept outdoorsy look becomes her. The two of them had an effective chemistry going for them. Neil Patrick Harris is as irritatingly funny as his arrogant mustache. Liam Neeson was so sinister and mean, which makes his scene with a daisy simply hilarious. In addition, there is chameleon-like Giovanni Ribisi and the irrepressible Sarah Silverman gleefully playing the ironic Christian couple -- the shy virgin Edward and the popular whore Ruth.
The cinematography capturing the breathtaking vistas of the New Mexico desert was noteworthy in its brilliance. The country-style musical scoring had a sense of humor. That square dance number to the song about mustaches was rollicking fun. The costume designs and production design was meticulous for its period, even though many parts of the script's language was not.
The screenplay had so many potentially offensive references which fly fast and furious in the witty repartee, but the cast's amiability and bright smiles somehow make them forgivable in the name of a good time. There are a couple of unexpected cameo appearances of characters from other films which add to the fun mix. I had a really good time with this good-natured satire of the Western genre.