While the Broadway musical this television special is based upon may be dated, the themes aren't. It's the story of a woman and her career, the presence of somebody who threatens both her career and her happiness, and how she rises above the usual temptations of how to survive while keeping your claws intact. "She" is Margo Channing (the fantastic Lauren Bacall, repeating her Tony Award Winning role), a Broadway diva extraordinare, at the height of her career, but on the threshold of middle age. Insecurities bring on jealousy and fear, especially when a young upstart (Penny Fuller) shows up, pretends to be her best friend, and betrays her simply to boost her own career as a rising actress and Broadway legend in the making.
It is obvious that a young Margo Channing would never have done the things that Eve does here to rise from starlet to star. Margo may be tough and even bitchy at times, but she obviously has scruples. She was once a sexy screen siren and has moved into the theater simply for the love of the stage. Now she has two loves-the theater and a producer (Larry Hagman, taking over the role originated by Len Cariou), and isn't willing to let that go. As Margo learns the truth about Eve, she faces some important life lessons that might actually make her grateful to Eve for being that little push she needed to face the reality of aging gracefully.
Bette Davis originated the role of Margo and also played a similar role as film actress Margaret Elliott in "The Star", and uttered the immortal screen line, "Fasten Your Seatbelts, It's Going to Be a Bumpy Night!". That becomes a big production number for the musical which was only just one of several dated musical numbers. One of them ("But Alive!") is set in a gay bar, and ends up in the television version which is pretty daring considering this was only four years after the Stonewall riots. I was in a production of this musical in the early 80's for my High School drama club, and they simply transfered the number to the Joe Allen's setting where the gypsies hung out. Here, the setting is extremely obvious with "Gay Power" highlighted on a huge sign in the background and very obvious gay men singing lyrics like "Chickie Chickie Ow! Ow Ow Ow!".
One of the main reasons why this doesn't rate a higher rating is that the cheap video tape makes it look even more dated than it was on stage. If it wasn't for the stars being so incredible (Ms. Bacall tears "Welcome to the Theater!" to pieces), this would rank a 5 (**1/2). Attempts to update the book have not proved successful in getting a revival back on Broadway (although it was revived at the New York City Center for an Encores concert) while the same year's "Company" has been revived successfully several times even though the original production had a very early 70's sound as well. If you are lucky enough to find a copy of this, you can enjoy it, as long as you are aware that it works best as a fascinating ghost story.
It is obvious that a young Margo Channing would never have done the things that Eve does here to rise from starlet to star. Margo may be tough and even bitchy at times, but she obviously has scruples. She was once a sexy screen siren and has moved into the theater simply for the love of the stage. Now she has two loves-the theater and a producer (Larry Hagman, taking over the role originated by Len Cariou), and isn't willing to let that go. As Margo learns the truth about Eve, she faces some important life lessons that might actually make her grateful to Eve for being that little push she needed to face the reality of aging gracefully.
Bette Davis originated the role of Margo and also played a similar role as film actress Margaret Elliott in "The Star", and uttered the immortal screen line, "Fasten Your Seatbelts, It's Going to Be a Bumpy Night!". That becomes a big production number for the musical which was only just one of several dated musical numbers. One of them ("But Alive!") is set in a gay bar, and ends up in the television version which is pretty daring considering this was only four years after the Stonewall riots. I was in a production of this musical in the early 80's for my High School drama club, and they simply transfered the number to the Joe Allen's setting where the gypsies hung out. Here, the setting is extremely obvious with "Gay Power" highlighted on a huge sign in the background and very obvious gay men singing lyrics like "Chickie Chickie Ow! Ow Ow Ow!".
One of the main reasons why this doesn't rate a higher rating is that the cheap video tape makes it look even more dated than it was on stage. If it wasn't for the stars being so incredible (Ms. Bacall tears "Welcome to the Theater!" to pieces), this would rank a 5 (**1/2). Attempts to update the book have not proved successful in getting a revival back on Broadway (although it was revived at the New York City Center for an Encores concert) while the same year's "Company" has been revived successfully several times even though the original production had a very early 70's sound as well. If you are lucky enough to find a copy of this, you can enjoy it, as long as you are aware that it works best as a fascinating ghost story.