7/10
An Above-Average Oater Based on a Louis L'Amour Novel
24 April 2014
Warning: Spoilers
"The Burning Hills" marked director Stuart Heisler's final big-screen western after the well-made Clayton Moore & Jay Silverheels "Lone Ranger" in 1956. Heisler helmed other oaters, such as "Dallas" with Gary Cooper, and they had worked together before that on the parody horse opera "Along Came Jones." The Susan Hayworth oil field drama "Tulsa" qualified more as a western owing to its setting, and Heisler had handled some uncredited chores on an even earlier Cooper epic "The Cowboy and the Lady," but it too was more contemporary. Heisler spent the 1950s and 1960s calling the shots on a variety of cowboy television series such as "Lawman," "Tales of Wells Fargo," "Gunsmoke," "The Dakotas," "Rawhide," and "The Virginian." Indeed, the Los Angeles native, who earns his spurs as a film editor, knew the difference between a stirrup and a pommel so his westerns were as authentic as the times allowed. Future bestselling author Irving Wallace adapted the Louis L'Amour novel "The Burning Hills," and this straightforward outdoors opus reunited Heisler with Tab Hunter, who had starred in "Island of Desire," as well as Natalie Wood, who had appeared in the 1952 Bette Davis soaper "The Star."

"The Burning Hills" opens ominously as three gunslingers stroll stealthily into a man's camp and shoot him the back. The fellow they kill is Johnny Jordan, and Johnny's younger brother is not around when the murder takes place. Trace Jordan (Tab Hunter of "Battle Cry") rides back to discover his brother dead. The Mexican ranch hand and he examine the scene of the homicide and ferret out clues. They know three dastards came after Johnny. Trace notices that one walks with a limp, another wears heavy Mexican spurs, and the last chain smokes cheroots. Trace rides into Esperanza to report his brother's murder, but he finds the sheriff's office empty and in shambles. Eventually, he rides to the Sutton Ranch where he confronts the patriarch, Joe Sutton (Ray Teal of "Ace in the Hole"), who refuses to help him. Trace vows to visit the nearby U.S. Army installation Fort Stockwell and bring back blue-uniformed horsemen. Joe pulls a revolver out of his desk drawer, and they exchange gunfire. Trace wounds Sutton in the chest and escapes. Sutton's foreman Ben Hindeman (Claude Akins of "Rio Bravo") wounds Trace with a lone rifle shot as our hero is galloping away on horseback.

Initially, Sutton's men cannot find him. Trace's horse lugs him to an abandoned mine shaft with a water hole. Trace falls off his pony and rolls near the waterhole. He blocks the stream with his inert body that nourishes the sheep at a small Mexican ranch below. Maria Cristina Colton (Natalie Wood of "Rebel Without A Cause") tends Trace's wounds and then conceals him from Sutton's men. Sutton's hot-tempered son, Jack Sutton (Skip Homeier of "The Gunfighter") and his foreman Hindeman assemble a search party. They acquire an expert tracker, Jacob Lantz (Eduard Franz of "Hatari") who can follow a trail anywhere through anything. They question Maria, and she fires at Jack but misses him. Narrowly, Trace and Maria manage to escape from Sutton's squad of six-gunners in the mine. Fortunately, the mind caves in before the bad guys can pursue our hero and heroine

Maria has no love lost for the villainous Suttons. After all, the Suttons murdered her father. As a result, she is more than happy to help Trace. Sutton's worthless, no-account, son murders his own foreman when they lose track of the hero. Jack shoots Ben in the back in cold blood and assumes command of the rabble. He knows that if Trace ever reaches the army fort that his father and he are cooked. She slows down Jack and company by spiking their coffee with Jemison weed. Maria manages to find Trace, but the villains recover and follow her. Mort (Earl Holliman) has been drinking moonshine when he spots Maria leaving her ranch. He finds Trace and they have a knockdown, drag-out fight. Our hero and heroine escape from the bad guys a second time.

Actually, there isn't much to "The Burning Hills." Heisler stages the action with suitable flare, particularly in the opening scene where Trace's brother is gunned down without a chance to defend himself. He should have kept his holstered revolver closer to him. He shows very little of Johnny's three murderers. Essentially, this is a small potatoes shoot'em up. Ray Teal and Skip Homeier make ideal villains and Tab Hunter is a standard-issue hero with the beautiful Natalie Wood along as a fiery heroine. David Buttolph provides an atmospheric orchestra score to heighten the tension and suspense.
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