'HIGHWAY - Imtiaz Ali' Its all the way just my way or the Highway
Imtiaz Ali is NOT the 'on your face' kind of Director but he certainly is very well on the saddle/the hand behind the wheel
totally in control. So whether you like it or not, the story simmers and seeps through the crevices deep into your veins, slowly, no hurry; no intention to make any point.
It's Imtiaz all the way and he sure, is a wanderer subtly like all his earlier movies (jab we met/ rock-star/ 'Love Aaj Kal'/ 'Socha Na Tha'), he shall take you on a ride to India and make you realize how much you have missed all these years, not wandering. He is probably the guy who could have easily fitted well with NatGeo. May be he lives the moments that he wants to live – through his movies, may be he entices you, invites you to live/ relive those moments, may be .
So this 'Highway' also moves. It lives up the name, a constant hum of alternate emptiness while the visuals zip past, picture perfect - perfect, anamorphic widescreen shots; just the right exposure wherein the inter-wined scenes give out an Expanse all around. Lot of bonnet- front panned shots which open up visual sectors wide angled as you move ahead, these and those reverse shots from where the camera turns a full 180 degrees to take you back to the front. I mean, achieving all this in a feature film is tremendous especially when the whole movie is shot with natural lighting. And along with it, a subtle (not loud) story chugs along beautifully. Nothing is aggressive ever, even when people get aggressive once a while it's a highway, remember!
Imtiaz had this passion of sanctifying the childhood. He does that in all the movies; it keeps his present intentions well heeled in what went by. It's always important for his stories. Sure then, the protagonists are always trying to free themselves up, get out there in the open. Its an yearning, well yearned for! It keeps the things in perspective, unbound!!
To sum it up: you can't just be passive, nonchalant, yuck-Yanky in Highway. It sure breathes in some restlessness, differently for every different people; you want to react, getup, breathe out!!! And Highway helps you gulp out the welt, 'welp'! The narrative is smooth, the lessons are bitter; dialogs are simple, sound is perfect, music is just the right amount and blend (AR Rahman).
What would you look for --- Imtiaz Ali, who has a different script (always) and is amazingly observant while being silent (always shows you both sides of the coin in all his movies – while slyly hinting at the upper class society), Strong female lead as always (even Alia Bhatt has been made to act – high notch, very promising now), Randeep Hooda – just fantastic, very original, very mature, needs to be casted more often (if only Gunday was made with him and Ranveer), India – because you still haven't seen it all, felt it –need to be on a highway.
What not to expect – 'Totta Maina Ki Kahani', 'Naach Gaana' PT style, bubbly looks, third-rate jokes.
That's Imtiaz's way or take the Highway!
It's Imtiaz all the way and he sure, is a wanderer subtly like all his earlier movies (jab we met/ rock-star/ 'Love Aaj Kal'/ 'Socha Na Tha'), he shall take you on a ride to India and make you realize how much you have missed all these years, not wandering. He is probably the guy who could have easily fitted well with NatGeo. May be he lives the moments that he wants to live – through his movies, may be he entices you, invites you to live/ relive those moments, may be .
So this 'Highway' also moves. It lives up the name, a constant hum of alternate emptiness while the visuals zip past, picture perfect - perfect, anamorphic widescreen shots; just the right exposure wherein the inter-wined scenes give out an Expanse all around. Lot of bonnet- front panned shots which open up visual sectors wide angled as you move ahead, these and those reverse shots from where the camera turns a full 180 degrees to take you back to the front. I mean, achieving all this in a feature film is tremendous especially when the whole movie is shot with natural lighting. And along with it, a subtle (not loud) story chugs along beautifully. Nothing is aggressive ever, even when people get aggressive once a while it's a highway, remember!
Imtiaz had this passion of sanctifying the childhood. He does that in all the movies; it keeps his present intentions well heeled in what went by. It's always important for his stories. Sure then, the protagonists are always trying to free themselves up, get out there in the open. Its an yearning, well yearned for! It keeps the things in perspective, unbound!!
To sum it up: you can't just be passive, nonchalant, yuck-Yanky in Highway. It sure breathes in some restlessness, differently for every different people; you want to react, getup, breathe out!!! And Highway helps you gulp out the welt, 'welp'! The narrative is smooth, the lessons are bitter; dialogs are simple, sound is perfect, music is just the right amount and blend (AR Rahman).
What would you look for --- Imtiaz Ali, who has a different script (always) and is amazingly observant while being silent (always shows you both sides of the coin in all his movies – while slyly hinting at the upper class society), Strong female lead as always (even Alia Bhatt has been made to act – high notch, very promising now), Randeep Hooda – just fantastic, very original, very mature, needs to be casted more often (if only Gunday was made with him and Ranveer), India – because you still haven't seen it all, felt it –need to be on a highway.
What not to expect – 'Totta Maina Ki Kahani', 'Naach Gaana' PT style, bubbly looks, third-rate jokes.
That's Imtiaz's way or take the Highway!