Kay (Kristin Scott Thomas) is a political newbie running for office. Her husband is played by Peter Coyote. Dutch (Harrison Ford) is police IA investigator and he thinks his marriage to Peyton (Susanna Thompson) is fine. However Dutch finds that his wife died in a plane crash suspecting that she's having an affair.
Director Sydney Pollack has made a very undramatic movie. It's slow moving. The first half of the movie meanders to the point of meaninglessness. When the mystery of their affair start to surface, Dutch goes into mean investigating machine mode. Dutch investigating was interesting for about 10 minutes, but the affair is never allowed to be in doubt. The question becomes where is the mystery. Kay puts it best. They're gone. There isn't even a possibility of divorce. So what's the point of the movie.
I guess the point is for these two leads to work out their anger and their loss together. It is just so slow with the jazzy trumpets and soft piano. Sydney Pollack thinks this is more profound that it actually is. The two leads have no chemistry. Harrison Ford is horribly cold. The romance is nothing more than melodrama. His police investigation is nothing but a sideshow. I would have more respect for the movie if Dutch goes ahead and shoots the suspect. If this movie is about Kay and only about Kay, the story has a little bit of potential. There is a bit more on her side with her daughter and political ramifications.
Director Sydney Pollack has made a very undramatic movie. It's slow moving. The first half of the movie meanders to the point of meaninglessness. When the mystery of their affair start to surface, Dutch goes into mean investigating machine mode. Dutch investigating was interesting for about 10 minutes, but the affair is never allowed to be in doubt. The question becomes where is the mystery. Kay puts it best. They're gone. There isn't even a possibility of divorce. So what's the point of the movie.
I guess the point is for these two leads to work out their anger and their loss together. It is just so slow with the jazzy trumpets and soft piano. Sydney Pollack thinks this is more profound that it actually is. The two leads have no chemistry. Harrison Ford is horribly cold. The romance is nothing more than melodrama. His police investigation is nothing but a sideshow. I would have more respect for the movie if Dutch goes ahead and shoots the suspect. If this movie is about Kay and only about Kay, the story has a little bit of potential. There is a bit more on her side with her daughter and political ramifications.