I have never understood the point in putting 3 kilos of dough on an actor's face, just to make him look 50 years older. Why not simply cast an older actor? It's not as if the dough-covered main character is even vaguely recognizable underneath all that stuff, anyway. Sillier yet, they changed his voice so much that he ends up being utterly unrecognizable. So what's the bloody point? The excessive make-up kind of defeats the purpose. The ancient geezer just ends up looking grotesque, like a puppet from "Spitting Image", with a voice more suitable to Satan than an aging astronaut. Then again, perhaps 3 kilos of dough is still cheaper than hiring an additional actor.
TFMITM has an entertaining first half but suffers a noticeable quality drop in the second – the same as in the 1964 version. This can't be a mere coincidence, and must be attributable to Jules Verne's book. The whole insect-like aliens vs. humans shtick was utterly original at the time when he wrote it, I don't doubt that, but as the decades went by this became a huge sci-fi pulp cliché, watering down considerably the effect the alien encounter is supposed to have on the reader/viewer. This is why it's difficult to show interest in most of the goings-on in that segment of the movie.
The other problem with the second half is the depression-inducing, overly dark sets. Surely, the makers of TFMITM must have known that they were not making a dark Kafkaesque version of the "first" moon-walk, but something for audiences of all ages. The insect caves should have been more colorful and brighter, rather than resembling the gloomy depths of Hell. Aside from that flaw, the film is very solid visually. Certainly, well above average for a British sci-fi film.
TFMITM has an entertaining first half but suffers a noticeable quality drop in the second – the same as in the 1964 version. This can't be a mere coincidence, and must be attributable to Jules Verne's book. The whole insect-like aliens vs. humans shtick was utterly original at the time when he wrote it, I don't doubt that, but as the decades went by this became a huge sci-fi pulp cliché, watering down considerably the effect the alien encounter is supposed to have on the reader/viewer. This is why it's difficult to show interest in most of the goings-on in that segment of the movie.
The other problem with the second half is the depression-inducing, overly dark sets. Surely, the makers of TFMITM must have known that they were not making a dark Kafkaesque version of the "first" moon-walk, but something for audiences of all ages. The insect caves should have been more colorful and brighter, rather than resembling the gloomy depths of Hell. Aside from that flaw, the film is very solid visually. Certainly, well above average for a British sci-fi film.