The Iron Mask (1929)
9/10
Douglas Fairbanks and his "fond farewell to the swash-buckling silents"
20 December 2013
One of the best versions of The Man in the Iron Mask and one of Douglas Fairbanks' best films too. Details-wise, The Iron Mask might deviate from the book but the spirit of the story still remains, and in a much better way than most of the versions that followed it. It does feel rushed at times, and William Bakewell does do much better as the good twin than the evil twin, as the good twin he is sincere but as the evil twin he does over-egg the pudding too much. The sets and costumes are beautiful with the attention to detail authentic, while the photography is equally effective like the shadowy effects in the prison scenes that are most atmospheric. Carl Davis' score fits the action very well and sounds sweeping in an appropriate way. The film is written in a snappy way, the story is as fun, energetic, exciting and tense as the story of The Man in the Iron Mask is, the ending is genuinely moving(and not just mildly, this is emotional stuff) and the action is rousing and leaves you at the edge of your seat biting your nails and cheering for the heroes. Douglas Fairbanks is an as ever lively presence, with stunts and athletic moves that are the envy of anybody regardless of their age, but brings also pathos to his performance as well. In support, everybody is very good but Nigel De Brulier is broadly venomous, Margarite De LaMotte will leave you really identifying with Constance and rooting for her and Ulrich Haupt is a sinister Rochefort but with somewhat a charm of his own. All in all, well worth looking out for, Fairbanks' touted farewell to silent swash-bucklers is an excellent film. 9/10 Bethany Cox
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