Widowed Haylie Duff works at a small-town store where all they sell is Christmas-themed paraphernalia, all year round. When it turns out that sales are down for the last couple of years, her boss, whose immense office bespeaks the millions he has made off this venture over the years, parachutes his Wall-Street son, Antonio Cupo, over her. However, when he helps her wheelchair-bound son in a pumpkin-carving competition, things start to turn around in this ridiculously detailed but very watchable Hallmark romantic comedy.
At least part of that is due to some very fine acting on the part of the leads. Neither of their characters wish to be in this situation and they behave in a way that bespeaks their dissatisfaction and professionalism -- pardon me if I think the actors felt this way about the movie and used that for their performances. Given the ridiculous assumptions as well as the obvious and cheap cries for sympathy in the script, this should have been one of the worst of the twelve Hallmark Christmas romcoms this year. Instead, it is surprisingly good.
At least part of that is due to some very fine acting on the part of the leads. Neither of their characters wish to be in this situation and they behave in a way that bespeaks their dissatisfaction and professionalism -- pardon me if I think the actors felt this way about the movie and used that for their performances. Given the ridiculous assumptions as well as the obvious and cheap cries for sympathy in the script, this should have been one of the worst of the twelve Hallmark Christmas romcoms this year. Instead, it is surprisingly good.