Riddick is left for dead on an unknown planet with hostel indigenous predators. With a bounty on his head he calls upon the very people who want to have him killed in order to escape.
Director/writer David Twohy certainly delivers a fan pleasing sequel that fittingly harks back to the first instalment's roots in both story linkage and tone. While not as grand, fans of Chronicles will also be pleased with the stripped continuation back story and a cameo from Karl Urban's Vaako.
It's a good piece of science fiction action entertainment with decapitations, shootings, spaceships, a hostile planet, yes it's familiar and debatably derivative as the characters get picked off one by one, but as with Pitch Black Twohy effortlessly manages to create a convincing environment with new memorable biological creatures which is no easy task, to his credit it's no often lighting strikes twice given how many forgettable alien creatures have been put on screen. Yet, even though reminiscent Alien (1979) he manages to recreate what he did with the photosensitive, reptilians in his breakout 2000 film.
Vin Diesel returns as the character created by Jim Wheat & Ken Wheat- Riddick, this time he rekindles his previous edginess but the 'one Riddick and his dog' aspect expands the character, sneakily retaining some likability (especially for animal fans).
Given the way the production was funded the special effects are a mixed bag but serve their purpose. The first act is a special effect survival piece with sparse dialogue and smart action, with the second act taking place after an (unstated) amount of time when Riddick finds a small base. From then on its full of action setups, space motorcycles, conflicts and one-liners as the mercenaries and bounty hunters have to make an alliance with Riddick to survive an impending alien onslaught.
The supporting characters are developed just enough to be both identifiable, memorable and you almost care just enough to invest your time. Spanish actor Jordi Mollà gives a standout performance as the head hunting, unsavoury Santana, Total Recall (remake) actor Brokeem Woodbine gives some weight with his limited dialogue. Katee Sackhoff while feeling a little typecast still delivers the goods, even the remaining groups stereo-types are more fleshed out than they should be of the genre which adds to the enjoyment. Matt Nable is a good lead as Boss Johns whose character gives the story a (satisfying) little twist that those familiar with the original will see coming a mile off.
The closing is arguably abrupt but is possibly intentional as it leaves you wanting more. The critiques maybe a little hard on Riddick but considering it is a third in a film series spurred from such humble beginnings, an inviolate first (small comparison to is sequel) Riddick is entertaining viewing.
Director/writer David Twohy certainly delivers a fan pleasing sequel that fittingly harks back to the first instalment's roots in both story linkage and tone. While not as grand, fans of Chronicles will also be pleased with the stripped continuation back story and a cameo from Karl Urban's Vaako.
It's a good piece of science fiction action entertainment with decapitations, shootings, spaceships, a hostile planet, yes it's familiar and debatably derivative as the characters get picked off one by one, but as with Pitch Black Twohy effortlessly manages to create a convincing environment with new memorable biological creatures which is no easy task, to his credit it's no often lighting strikes twice given how many forgettable alien creatures have been put on screen. Yet, even though reminiscent Alien (1979) he manages to recreate what he did with the photosensitive, reptilians in his breakout 2000 film.
Vin Diesel returns as the character created by Jim Wheat & Ken Wheat- Riddick, this time he rekindles his previous edginess but the 'one Riddick and his dog' aspect expands the character, sneakily retaining some likability (especially for animal fans).
Given the way the production was funded the special effects are a mixed bag but serve their purpose. The first act is a special effect survival piece with sparse dialogue and smart action, with the second act taking place after an (unstated) amount of time when Riddick finds a small base. From then on its full of action setups, space motorcycles, conflicts and one-liners as the mercenaries and bounty hunters have to make an alliance with Riddick to survive an impending alien onslaught.
The supporting characters are developed just enough to be both identifiable, memorable and you almost care just enough to invest your time. Spanish actor Jordi Mollà gives a standout performance as the head hunting, unsavoury Santana, Total Recall (remake) actor Brokeem Woodbine gives some weight with his limited dialogue. Katee Sackhoff while feeling a little typecast still delivers the goods, even the remaining groups stereo-types are more fleshed out than they should be of the genre which adds to the enjoyment. Matt Nable is a good lead as Boss Johns whose character gives the story a (satisfying) little twist that those familiar with the original will see coming a mile off.
The closing is arguably abrupt but is possibly intentional as it leaves you wanting more. The critiques maybe a little hard on Riddick but considering it is a third in a film series spurred from such humble beginnings, an inviolate first (small comparison to is sequel) Riddick is entertaining viewing.