Lizabeth Scott sinks her teeth into the role of a ruthless woman in "Too Late for Tears," also known as "Killer Bait," a 1949 film directed by Byron Haskin and written by a man who later became a very popular TV writer-director and creator of some top series, Roy Huggins.
The film also stars Dan Duryea, Don DeFore, and Arthur Kennedy.
Scott plays Jane Palmer, the wife of Alan Palmer (Kennedy) - while driving one night, someone from another car throws a satchel into their car. It turns out to be $60,000 (the equivalent of $598,000 today). Alan doesn't want anything to do with it, preferring to take it to the police, but Jane wants to keep it and spend it. Finally she convinces him to hide the money and wait for a time.
Jane, it turns out, is one tough cookie, and without giving much away, let's say that getting her hands on that money becomes her full time job, and she's determined that nothing and no one will stand in her way. Unfortunately for a few people, they stood in her way.
Really terrific noir set in Hollywood, with Dan Duryea playing a sleaze, but actually less of a sleaze than Jane - he's more of an opportunist than evil; Don Defore is friendly and unassuming as a friend of Alan Palmer's, and Arthur Kennedy, one of the finest actors in film, is just plain wasted. Perhaps this was a film he had to do in order to fulfill a contract, or it was a loanout on trade - it was a waste.
It's Scott's film, and with her husky voice, lovely smile and pouty lips, she's able to, at first anyway, hide a core of steel underneath.
Very good. If you're a fan of film noir, see this one.
The film also stars Dan Duryea, Don DeFore, and Arthur Kennedy.
Scott plays Jane Palmer, the wife of Alan Palmer (Kennedy) - while driving one night, someone from another car throws a satchel into their car. It turns out to be $60,000 (the equivalent of $598,000 today). Alan doesn't want anything to do with it, preferring to take it to the police, but Jane wants to keep it and spend it. Finally she convinces him to hide the money and wait for a time.
Jane, it turns out, is one tough cookie, and without giving much away, let's say that getting her hands on that money becomes her full time job, and she's determined that nothing and no one will stand in her way. Unfortunately for a few people, they stood in her way.
Really terrific noir set in Hollywood, with Dan Duryea playing a sleaze, but actually less of a sleaze than Jane - he's more of an opportunist than evil; Don Defore is friendly and unassuming as a friend of Alan Palmer's, and Arthur Kennedy, one of the finest actors in film, is just plain wasted. Perhaps this was a film he had to do in order to fulfill a contract, or it was a loanout on trade - it was a waste.
It's Scott's film, and with her husky voice, lovely smile and pouty lips, she's able to, at first anyway, hide a core of steel underneath.
Very good. If you're a fan of film noir, see this one.