OK, so this wasn't his first film; He appears in bit singing parts in a slew of films made prior to this, usually singing with a band or performing in a nightclub sequence. But here, he has his first acting role, even if his character is named Frank Sinatra. The character of Frankie here is as fictional as you can get, considering the revelations of his private life revealed decades later. In this film, he is the neighbor of wealthy Leon Errol who through bad investments has lost his fortune. Realizing that he is in danger of loosing his mansion, he enlists the pretty scullery maid (Michelle Morgan) to pose as his daughter. However a suspicious society matron (Errol's "Mexican Spitfire" spouse Elisabeth Risdon) questions Morgan's identity, wanting to see her own daughter married off to the European nobility (Victor Borge, of all people!). But with Errol's staff (which includes butler Jack Haley, social secretary Mary Wickes, chauffeur Dooley Wilson and maid Marcy McGuire) sticking up for Morgan, you know that the snobs are going to be disappointed when things don't turn out their way.
Based upon a flop 1940 Broadway musical with songs by Richard Rodgers and Lorenz Hart, only one song from that show ended up in the movie. The new songs, however, by Jimmy McHugh and Harold Adamson are really good, one of them "I Couldn't Sleep a Wink Last Night" now a standard and nominated for an Oscar.
The other songs actually have a Broadway feel to them, utilizing the ensemble cast to its fullest. McGuire, a perky teen, is a typical bobby-soxer, the type you'd probably see jumping outside the Paramount Theatre where Sinatra wooed thousands of like girls. She gets a great duet with Sinatra, "I Saw You First", representing all the fans all over the country. This film, however, is unpredictable, and does not end the way you think it would. In spite of the silly premise, it is for the most part a truly entertaining film, one where the ensemble all get moments to shine.
Based upon a flop 1940 Broadway musical with songs by Richard Rodgers and Lorenz Hart, only one song from that show ended up in the movie. The new songs, however, by Jimmy McHugh and Harold Adamson are really good, one of them "I Couldn't Sleep a Wink Last Night" now a standard and nominated for an Oscar.
The other songs actually have a Broadway feel to them, utilizing the ensemble cast to its fullest. McGuire, a perky teen, is a typical bobby-soxer, the type you'd probably see jumping outside the Paramount Theatre where Sinatra wooed thousands of like girls. She gets a great duet with Sinatra, "I Saw You First", representing all the fans all over the country. This film, however, is unpredictable, and does not end the way you think it would. In spite of the silly premise, it is for the most part a truly entertaining film, one where the ensemble all get moments to shine.