Review of Berlin '36

Berlin '36 (2009)
8/10
One Of The More Interesting Movies About Nazi Germany I've Seen
9 September 2012
Warning: Spoilers
There hasn't been a lot done in movies about the 1936 Berlin Olympics - at least not that I've come across. Those Games, of course, are now famous as the Nazi Games. Hitler and the Nazis, having come to power three years before, were determined to use the Games to demonstrate "Aryan" superiority. What most people remember about those Games is that theory being blasted out of the water by African-American sprinter Jesse Owens. This movie deals not so much with the Olympic Games themselves, but with Germany's preparations for the Olympics, and in particular with the selection of the German Ladies High-Jump team.

The United States was threatening a boycott of these Games if German Jewish athletes weren't allowed to compete for Germany. On the one hand, the Nazis had no intention of allowing Jews to represent Germany; on the other hand, the Nazis couldn't risk an American boycott of the their Games. So they developed an elaborate ruse. A Jewish female high jumper (Gretel Bergmann) had emigrated to Britain and become British champion. She's "convinced" to return to Germany to train with the German team. With her family still in Germany, she has little choice but to comply or have them face the consequences. As she's told, this is also the perfect opportunity to expose the myth of Aryan superiority. All she has to do is win - except that she's not going to be allowed to do that. To make sure, the Nazis plant a ringer on the team: a young man raised by his mother as a girl. Named Maria Ketteler, he/she and Gretel develop a bond and a friendship, each of them being forced by the Nazis to do something they'd rather not be doing. Gretel would have preferred to stay in London; Maria wants to end the charade her mother has forced her to live all her life and simply live as a man. The character of Maria is problematic. That wasn't her real name. Her real name was Dora Ratjen, and it wasn't simply that her mother wanted a girl and so raised a boy as a girl. Dora was born with ambiguous genitalia. I don't know why the producers of this would have chosen to change those facts.

This movie isn't as harsh as some movies about Nazi Germany. The overt prejudice against Jews isn't as violent as we usually see (of course, the Olympics were held before Krystallnacht and before the Holocaust had begun in earnest.) Gretel isn't liked by her "team-mates." She's isolated, she's lonely, German officials will come up with any excuse to prevent her from competing, and yet she'll be forced to train and go through the motions as if she might. She becomes a definite object of sympathy. You do feel sorry for her. Actress Karoline Herfurth brought forth that sympathetic reaction very well. You also feel for Maria (Sebastian Urzandowski). None of this is his/her fault. Their bond, after Gretel gets over the shock of discovering Maria's "secret," is real and understandable. Nothing really tragic happens to either of them. In that sense this isn't a "Holocaust" movie. Both survived the "Holocaust." But it's a sad movie of two people caught up in an insane system in an insane country in an insane period of time.

As the movie ends, we're introduced to the real Greta Bergmann (this is a true story) who answers a few questions about the Games and about Maria. Greta and her family emigrated to New York before the War. Maria was discovered to be a man, but survived the War, unfortunately becoming a recluse, finally dying in 2008.

This is a well done story of a little known event in Nazi history. It's neither brutal nor violent. Instead, it's interesting but sad. For those interested in the era, it should be seen. (9/10)
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