8/10
A wonderful examination of the horror movie industry, fans and dreams
6 May 2012
George Hardy is an incredibly likable man. He has a steady job at a successful dental surgery and is devoted to his children. He keeps fit and has a great sense of humour alongside an admired position amongst the rural community of his Alabama home. Hardy was never a famous man, but he did have one significant outing on the silver screen as part of Italian director Claudio Fragasso's (Zombi 3, Zombie Creeping Flesh) infamous Troll 2.

Best Worst Movie is a documentary about the legacy which Troll 2 left behind. Although, the actual depth and significance of this legacy may have been exaggerated slightly by the filmmaker Michael Stephenson, who was the child star of the feature. The documentary follows the reunited cast of Troll 2 as they relive the insanity of the shoot and wallow in the brief appreciation that arose out of the obsessive nostalgia of the fans.

Hardy is the first to be studied in depth and his amiability and small town charm ooze through the screen, as they hunt down the other stars the story starts to take a turn for the weird. It is worth noting at this point that none of the stars of Troll 2 were professional actors, they had all answered casting calls for extras and were given leading roles by Fragasso, who spoke very little English at the time. Fragasso also used an entirely Italian crew who also spoke very little English, all of which resulted in the bizarre farce that the movie became. This practice was not uncommon though, Lucio Fulci (who Fragasso shared directorial duties with at certain points of his career) adopted the same practice for his 'Trilogy' (The Beyond, House by the Cemetery and City of the Living Dead). The end result of the two directors couldn't be further removed, however, as were Fulci managed to inject a great deal of style and cinematic flare into his work. Fragasso does not.

Troll 2's infamy lies in the fact that it was voted the Worst Movie Ever on IMDb, a quote which is often mentioned in the subsequent promotion of the movie. The actors are all happy to admit that it is a terrible movie and have no problem playing along with the crowds who showcase the movie with the intention of having a good laugh at it all. Fragasso is not as pleased about it. One gets the impression that he is of the idea that his movies have been taken on board as classics and his smile drops very quickly when he realises that people are laughing at his 'art'.

There are actors who have since become damaged recluses and others who were quite literally on day release from mental institutions. Hardy gets swept up in the media furor, eager to lash out his catchphrase; 'You can't p*ss on hospitality, I won't allow it.' For anyone who will listen. He organises a charity event showing in his hometown and even attends a few conventions. The UK convention was a particularly sobering affair, with the attendance in single figures, it seems to be the moment when Hardy realises that the film industry isn't where he wants to be. His disgust and revulsion at the attendees of the horror con is kind of sad in many ways.

This is such a compelling and interesting documentary that it becomes very much about the individuals involved and less about the original subject matter (Troll 2). This is an absolute must see for any fan of horror, sci-fi or good documentaries as it offers a worthy insight into the machinations of the low budget movie industry.

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