8/10
An Intelligent Look at the Fluidity of Erotic Love
14 April 2011
Warning: Spoilers
Camille is a professor at a conservative Christian college who is affianced to minister and co-worker Martin. When Camille meets and is attracted to nervy and vivacious circus acrobat Petra, an inner tension begins to build within her.

One gets the feeling the film-maker double majored in Art and Theater as this film is bursting with circus-themed surrealist metaphors and intense use of saturated colors. The surrealism sometimes seems a little heavy-handed, but I understand the film-maker was trying to contrast the Christian college milieu with that of the circus folk. The acting is very good and the film excels at depicting the hesitancy and awkwardness involved in striking out in an entirely new direction. Can you simultaneously reach physical fulfillment and grow spiritually by finding your erotic center and exploring new sexual possibilities? That's the question this film deals with. To the scriptwriter's credit, the professors and ministers who espouse decidedly conservative positions with regard to homosexuality are not superstitious, fire- breathing gay-bashers. There are some beautifully filmed and - by U.S. standards - quite revealing scenes of lesbian love-making in "When Night Is Falling," so if this sort of thing disturbs you, steer clear. In sum, this film works well and conveys the difficulty, awkwardness and joy of discovering new ways of being. To quote first Camille and then Petra: "I'm nervous." "So am I; I think you're supposed to be."
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