The life of Martin Luther, examined in this film, presents a man that started out his life by being a devout catholic. He even became an Agustinian monk, following his desire to be a better man. His faith was tested as he went to Rome. There, Martin experienced a world in which there was corruption and the men that called themselves followers of the doctrine, did not hesitate to break the precepts that were the basis of their religion. That experience, set Luther on the road that led to his eventual break with the church which he vowed to serve.
In attending the university, Luther became aware of other way of thinking. Having seen first hand the way Rome conducted business, as the ambitious Pope Leo X, the ruler of the church wanted to build, what would later become, St. Peter's basilica, as a monument to his reign, to be financed by the selling of special indulgences, a sort of panacea that would benefit the ones buying them.
Luther's rebellion came about when he started questioning things that up to that point, no one had dared to ask. Thus, he was deemed a heretic because he wanted to simplify things and worst of all, he decided to translate from the Greek the sacred scriptures that up to that time was only the domain of an inner group of Roman higher ups.
"Luther" is not a great film. It plays like a documentary by stating highlights in the life of Martin Luther. The film, directed by Eric Till, and written by Bart Gavigan and Camille Thomasson, is based loosely on the play by John Osborne. Of course, this is a re-imagination of a piece of history. How accurate it is, we have no idea. This is the kind of international co-production where the cast includes the basic English actors in the main roles, but there are different accents, depending on the nationality of the actor.
Joseph Fiennes in the title role shows an inspired Luther. Others in the large cast include the excellent Bruno Ganz, Alfred Molina, Sir Peter Ustinov making his last appearance in a theatrical movie, and others. The film was splendidly photographed by Robert Fraisse, whose camera takes us to some breathtaking locales that span from Germany, to the Czech Republic and Italy. Our only objection was the Richard Harvey music score that has a way to interfere with the action.
In attending the university, Luther became aware of other way of thinking. Having seen first hand the way Rome conducted business, as the ambitious Pope Leo X, the ruler of the church wanted to build, what would later become, St. Peter's basilica, as a monument to his reign, to be financed by the selling of special indulgences, a sort of panacea that would benefit the ones buying them.
Luther's rebellion came about when he started questioning things that up to that point, no one had dared to ask. Thus, he was deemed a heretic because he wanted to simplify things and worst of all, he decided to translate from the Greek the sacred scriptures that up to that time was only the domain of an inner group of Roman higher ups.
"Luther" is not a great film. It plays like a documentary by stating highlights in the life of Martin Luther. The film, directed by Eric Till, and written by Bart Gavigan and Camille Thomasson, is based loosely on the play by John Osborne. Of course, this is a re-imagination of a piece of history. How accurate it is, we have no idea. This is the kind of international co-production where the cast includes the basic English actors in the main roles, but there are different accents, depending on the nationality of the actor.
Joseph Fiennes in the title role shows an inspired Luther. Others in the large cast include the excellent Bruno Ganz, Alfred Molina, Sir Peter Ustinov making his last appearance in a theatrical movie, and others. The film was splendidly photographed by Robert Fraisse, whose camera takes us to some breathtaking locales that span from Germany, to the Czech Republic and Italy. Our only objection was the Richard Harvey music score that has a way to interfere with the action.