You may have seen the cheap cut American version of "Fury of the Wolfman". The uncut version may not satisfy you, but at least we see it all.
This is the fourth in the series, but there is a continuity problem with that, and within the film itself. It seems to jump around with no logic, but that can be attributed to all the problems this film had with writing, editing, and direction.
Maybe it would help to regard it in the tradition of Dali and Luis Buñuel, and consider it a surrealistic classic. There is weird science, failed experiments locked in a basement, and a doctor (Perla Cristal) who apparently wants to be ravaged by a wolfman.
Her assistant, Karen (Verónica Luján), also has her designs set upon Daninsky. Is it love, love that will allow her to kill the wolfman? Not great, but not bad.
This is the fourth in the series, but there is a continuity problem with that, and within the film itself. It seems to jump around with no logic, but that can be attributed to all the problems this film had with writing, editing, and direction.
Maybe it would help to regard it in the tradition of Dali and Luis Buñuel, and consider it a surrealistic classic. There is weird science, failed experiments locked in a basement, and a doctor (Perla Cristal) who apparently wants to be ravaged by a wolfman.
Her assistant, Karen (Verónica Luján), also has her designs set upon Daninsky. Is it love, love that will allow her to kill the wolfman? Not great, but not bad.