Underwater was allegedly set in Cuba, but actually photographed on the Kona Coast of Hawaii, was the last time that Jane Russell worked for Howard Hughes. The mysterious industrialist would shortly be getting rid of RKO Studios and RKO itself would shortly go Underwater after that.
The site of Jane Russell even in a conservative one piece bathing suit was enough to delight the male members of the audience with those twin weapons of mass destruction Jane sported. But if you got around to listening to Jane she drifted in and out of an atrocious Spanish accent. There was no reason to cast her as Hispanic so why she was will remain a mystery.
Like his aerial films Howard Hughes took some really good care with the lavish Underwater photography and it remains the best feature of Underwater, even though the stuff photographed on Kona was supplemented by scenes done in a large tank.
All that though just to tell a rather routine tale of four treasure hunters, Jane Russell, Richard Egan, Gilbert Roland, and Lori Nelson who hunt for and discover an ancient Spanish Galleon loaded with gold bars. But also on board is a solid gold larger than life size statue of Jesus also adorned in jewels that was lost at sea to the Roman Catholic Church. Along for the ride is Jesuit scholar Robert Keith.
The four and Keith also run afoul of shark hunters/smugglers/pirates led by Joseph Calleia. How the plot resolves itself frankly borders on the ridiculous.
But the Underwater photography and the Jane photography make Underwater worthwhile viewing.
The site of Jane Russell even in a conservative one piece bathing suit was enough to delight the male members of the audience with those twin weapons of mass destruction Jane sported. But if you got around to listening to Jane she drifted in and out of an atrocious Spanish accent. There was no reason to cast her as Hispanic so why she was will remain a mystery.
Like his aerial films Howard Hughes took some really good care with the lavish Underwater photography and it remains the best feature of Underwater, even though the stuff photographed on Kona was supplemented by scenes done in a large tank.
All that though just to tell a rather routine tale of four treasure hunters, Jane Russell, Richard Egan, Gilbert Roland, and Lori Nelson who hunt for and discover an ancient Spanish Galleon loaded with gold bars. But also on board is a solid gold larger than life size statue of Jesus also adorned in jewels that was lost at sea to the Roman Catholic Church. Along for the ride is Jesuit scholar Robert Keith.
The four and Keith also run afoul of shark hunters/smugglers/pirates led by Joseph Calleia. How the plot resolves itself frankly borders on the ridiculous.
But the Underwater photography and the Jane photography make Underwater worthwhile viewing.