The Final Battle...
No, not Ecologists vs. Poachers...
But the real battle!
Auteurists vs. Writer-Driven Cinema!
The showing in NY was a trip, with a Schulberg relative coming to the showing - at a Nicholas Ray retrospective, no less! - to announce that this was not only NOT a Nicholas Ray film, but CLEARLY a Schulberg film (this was simply bad manners, given the occasion). And she went on to talk about how drug-addled Ray was during the shooting (that was worse than bad manners, given the occasion).
Anyway...if you care...
Lots of Ray stuff: the created "family unit" of outlaws, with their twisted bonhomie and their rituals; the sense that living in a particular "natural" environment creates an alternative sense of right and wrong, and that someone who enters into that environment has to confront this other reality, even if it goes against his or her belief system. Christopher Plummer finds himself in a position akin to that of Peter O'Toole in The Savage Innocents, Robert Ryan in On Dangerous Ground,Susan Hayward in The Lusty Men.
On the other hand...lots of stagy soliloquies, lots of scenes which don't get to really inflect; they just make their plot points and move on. One can imagine a lot of footage which was discarded because it didn't "advance the story".
Some beautiful swamps and animals.
It's a real mess - but a beautiful mess.
Film-making...it can be a real heartbreak for the directors who believe in their personal vision.
No, not Ecologists vs. Poachers...
But the real battle!
Auteurists vs. Writer-Driven Cinema!
The showing in NY was a trip, with a Schulberg relative coming to the showing - at a Nicholas Ray retrospective, no less! - to announce that this was not only NOT a Nicholas Ray film, but CLEARLY a Schulberg film (this was simply bad manners, given the occasion). And she went on to talk about how drug-addled Ray was during the shooting (that was worse than bad manners, given the occasion).
Anyway...if you care...
Lots of Ray stuff: the created "family unit" of outlaws, with their twisted bonhomie and their rituals; the sense that living in a particular "natural" environment creates an alternative sense of right and wrong, and that someone who enters into that environment has to confront this other reality, even if it goes against his or her belief system. Christopher Plummer finds himself in a position akin to that of Peter O'Toole in The Savage Innocents, Robert Ryan in On Dangerous Ground,Susan Hayward in The Lusty Men.
On the other hand...lots of stagy soliloquies, lots of scenes which don't get to really inflect; they just make their plot points and move on. One can imagine a lot of footage which was discarded because it didn't "advance the story".
Some beautiful swamps and animals.
It's a real mess - but a beautiful mess.
Film-making...it can be a real heartbreak for the directors who believe in their personal vision.