5/10
An amazingly frank romantic drama
20 June 2009
Robert Mitchum lays a lawyer whose marriage back in Nebraska has just dissolved. Now, he's moved to New York and is very lonely. So lonely that he calls a woman (Shirley MacLaine) he barely knows. They go out and have a few laughs, then they go to her apartment. There, things move very quickly for a 1962 movie--surprisingly quickly, as he tries to get her to let him stay. At first, she's a bit put off--then she decides to sleep with him. At this point, however, he decides to leave--it's just moving too fast. Throughout the film the two are very open about sex and the dialog is quite gritty and realistic as well. Later, they even cohabitate--something you NEVER would have seen in the 1950s.

Now these two people seem very, very different. Mitchum is well-spoken and a professional man from the Midwest. MacLaine is more a head-in-the-clouds Bohemian who is a Jewish New Yorker. Can two people THIS different fall in love and have it last? As you watch this film, you naturally assume the answer is no, as they just seem so unlike each other, argue an awful lot and what brings them together is difficult to put into words. In many ways, this odd relationship that defies the odds seems very reminiscent of THE WAY WE WERE (and you probably know how that film ended).

Unfortunately, because the chemistry seems so odd in this film and the film is quite talky and stagy (it was originally a very successful Broadway play--and it shows), it's not a great film. Most of the problem is that although the dialog seems realistic, the combination of the two characters isn't. Why were they together in the first place other than they were lonely? And why did the movie seem to go on so long? So overall is it worth seeing? Perhaps, though this sure isn't a glowing recommendation.

By the way, in a very disturbing scene, eventually Mitchum slaps MacLaine pretty hard. And, the way the film is made, it seems as if SHE drove him to it. Not exactly an enlightened scene and something that just seems wrong. And, not to be outdone, late in the film, she hits him as well!
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