Dennis Quaid stars as a widowed detective facing an investigation the likes of which he has never seen: Four murders modeled after the themes of the Four Horsemen of the Apocalypse. Ziyi Zhang (Memoirs of a Geisha) also stars.
The first thing that comes to mind when hearing about a crime thriller about a detective investigation religious-themed murders will be the comparison to the modern classic 'Se7en' (David Fincher, 1995). And, yes, it's quite obvious that 'The Horsemen' had quite a bit of inspiration from that film, and the film was styled after its predecessor in more ways than the story. But, I must ask. . . is anyone surprised? Keep in mind that this film was produced by Platinum Dunes, Michael Bay's remake machine that has given us the remakes of such classic horrors as 'The Texas Chain Saw Massacre' and 'Friday the 13th.' Maybe Bay wanted to remake 'Se7en' a mere fourteen years after its release, but couldn't get the rights. . . so, they went for a film styled after it.
Regardless, the film itself (separated from 'Se7en' and other similar films) isn't terrible. While it CERTAINLY doesn't live up to the 7.5/10 IMDb currently rates it at (a number clearly inflated by crew and studio employees), it still works as an interesting crime thriller. The story is good, Quaid is his usual dependable self, and the direction captures some darkly attractive scenery. Also, the last 20 or so minutes give quite a few thrills and almost had me on the edge of my seat. However, on the negative side, the script is quite lacking and maintains too steady of a course, feeling more like a collection of scenes than a coherent film; Ziyi Zhang puts forth one of the most annoying performances I've seen in a long time; and the extremely rushed and thoughtless final moments leave a very bitter taste in the audience's collective mind.
Similar to the Al Pacino vehicle '88 Minutes' (2008), 'The Horsemen' simply came along too late for its audience (not to mention had a below-average script) to be as enjoyable as it could've been.
Final Verdict: A low 6/10.
-AP3-
The first thing that comes to mind when hearing about a crime thriller about a detective investigation religious-themed murders will be the comparison to the modern classic 'Se7en' (David Fincher, 1995). And, yes, it's quite obvious that 'The Horsemen' had quite a bit of inspiration from that film, and the film was styled after its predecessor in more ways than the story. But, I must ask. . . is anyone surprised? Keep in mind that this film was produced by Platinum Dunes, Michael Bay's remake machine that has given us the remakes of such classic horrors as 'The Texas Chain Saw Massacre' and 'Friday the 13th.' Maybe Bay wanted to remake 'Se7en' a mere fourteen years after its release, but couldn't get the rights. . . so, they went for a film styled after it.
Regardless, the film itself (separated from 'Se7en' and other similar films) isn't terrible. While it CERTAINLY doesn't live up to the 7.5/10 IMDb currently rates it at (a number clearly inflated by crew and studio employees), it still works as an interesting crime thriller. The story is good, Quaid is his usual dependable self, and the direction captures some darkly attractive scenery. Also, the last 20 or so minutes give quite a few thrills and almost had me on the edge of my seat. However, on the negative side, the script is quite lacking and maintains too steady of a course, feeling more like a collection of scenes than a coherent film; Ziyi Zhang puts forth one of the most annoying performances I've seen in a long time; and the extremely rushed and thoughtless final moments leave a very bitter taste in the audience's collective mind.
Similar to the Al Pacino vehicle '88 Minutes' (2008), 'The Horsemen' simply came along too late for its audience (not to mention had a below-average script) to be as enjoyable as it could've been.
Final Verdict: A low 6/10.
-AP3-