2/10
Even worse than I remember back when I saw it in the theatre in the 60s
28 February 2009
I would speculate that this is one of the worst major studio motion pictures ever made, starring and directed by A-list talent. I was a teenager when this came out in the theatre, and even then, I distinctly remember - because I was a Natalie Wood fan -- that I hated this movie. I expected forty years later that I would embrace it more deeply, partially for nostalgia, partially for being more forgiving of its foibles. Well ... it's even worse than I remember – a lurid, melodramatic potboiler where not a scene, or piece of dialogue, rings true. Natalie Wood acts like a silent film star, mugging atrociously, and playing tomboy like a truck driver in army boots. I am reminded of the numerous Razzie worst actress awards she got from Harvard back then. Someone on IMDb assumed that 60s audiences accepted this -- but it was a critical bomb back then. The story is beyond far-fetched as she dreams of being a singer, she sends in a recorded disc of her voice -- and the studio head himself pays her a personal call at her pier-side shack because he's so excited about her talent – and when we watch her screentest – her singing is mediocre. She's immediately signed to a contract, but never shows a shred of pleasure or excitement that she has gotten her wish, but only seems to want to escape. The costumes and hair are maddeningly anachronistic – teased hair, pink lipstick, eyeliner, shaggy bangs, turtlenecks, Capri pants, empire waist dresses, narrow suit lapels, pure 60s. Her musical number belongs more on Hullabaloo than a 1930s movie screen. Scenes on the 1930s studio lot, and on the soundstage, are always as deserted as a tomb, and the studio head – who is so evil he should be twirling his moustache like a silent film villain -- seems to have no other duties or interests than meeting incessantly with, and watching over, Daisy. Worth renting only for curiosity value -- or Wood fans who need to round out their viewing repertoire. The one positive is Robert Redford – not the most interesting of actors but more animated than in some of his later roles, and gorgeously handsome beyond belief.
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