Based on the 1995 novel by Bernhard Schlink, The Reader (Der Vorleser) tackles difficult ethical standpoints in post-WWII Germany.
Fifteen-year-old Michael Berg (David Kross) has a passionate summer affair with Hanna Schmitz (Kate Winslet), a mysterious woman twice his age. She suddenly disappears but accidentally resurfaces in his life eight years later as a defendant in a trial he is observing as a law student. It culminates in a decision to either keep or divulge a secret important to Hanna that Michael knows could absolve her but damn him and the cause of those inadvertently affected by her unfortunate actions.
Oscar nominated director Stephen Daldry (for Billy Elliot, The Hours and The Reader) shows his trademark restraint and skillful handling of top-notch actors in this heavy drama about human complexity. The story itself is so open to interpretation and could've been coarsely treated but Daldry and his remarkable cast show immense sensitivity that it becomes difficult not to feel for each one.
After seven nominations, Winslet finally wins an Oscar for Best Actress for her stunning performance as Hanna. She is able to make you have mixed feelings of overwhelming sympathy and intense disgust for such a simpleton. It makes me wonder though, why she has to keep shedding her clothes in most of her roles when she doesn't really need to, with her incredible talent. Kross is a revelation and holds his own screen presence against such a formidable co-star. It was also interesting to find out that the production had to wait till he turned 18 to film his love scenes and that he had to learn English for this breakout role. Ralph Fiennes plays the older Michael, and while I originally thought it was a waste to cast him for this part, I later realized how crucial his eyes and expressions were in communicating volumes of feeling, even in the slightest of dialogues.
While heavy, The Reader is still a must-see, if only to get back to contemplating on your basic humanity. "What would you have done?" is the question Hanna poses to the judge, and would be interesting to ask yourself. Elements of many parts of this movie would make for a fruitful after-movie discourse.
Fifteen-year-old Michael Berg (David Kross) has a passionate summer affair with Hanna Schmitz (Kate Winslet), a mysterious woman twice his age. She suddenly disappears but accidentally resurfaces in his life eight years later as a defendant in a trial he is observing as a law student. It culminates in a decision to either keep or divulge a secret important to Hanna that Michael knows could absolve her but damn him and the cause of those inadvertently affected by her unfortunate actions.
Oscar nominated director Stephen Daldry (for Billy Elliot, The Hours and The Reader) shows his trademark restraint and skillful handling of top-notch actors in this heavy drama about human complexity. The story itself is so open to interpretation and could've been coarsely treated but Daldry and his remarkable cast show immense sensitivity that it becomes difficult not to feel for each one.
After seven nominations, Winslet finally wins an Oscar for Best Actress for her stunning performance as Hanna. She is able to make you have mixed feelings of overwhelming sympathy and intense disgust for such a simpleton. It makes me wonder though, why she has to keep shedding her clothes in most of her roles when she doesn't really need to, with her incredible talent. Kross is a revelation and holds his own screen presence against such a formidable co-star. It was also interesting to find out that the production had to wait till he turned 18 to film his love scenes and that he had to learn English for this breakout role. Ralph Fiennes plays the older Michael, and while I originally thought it was a waste to cast him for this part, I later realized how crucial his eyes and expressions were in communicating volumes of feeling, even in the slightest of dialogues.
While heavy, The Reader is still a must-see, if only to get back to contemplating on your basic humanity. "What would you have done?" is the question Hanna poses to the judge, and would be interesting to ask yourself. Elements of many parts of this movie would make for a fruitful after-movie discourse.