If Richard Attenborough hadn't been careful in his choice of roles he might very well have been typecast as a stone cold killer the rest of his career. It was the same problem that Richard Widmark had after Kiss Of Death. In Brighton Rock, Attenborough is absolutely riveting and charismatic as gang leader Pinkie Brown.
In the British seaside resort town of Brighton, Attenborough and his cronies run a protection racket and are being muscled by another gang who wants to take over their territory. In America this would call for a public machine gun blasting, but in the United Kingdom they do things in a bit more subtle way. After a prolonged chase through Brighton, Attenborough nails one of the other gang members Alan Wheatley in a fun house tunnel ride where there's even question that Wheatley might have slipped and fallen on his own.
But there are questions and Hermione Baddely is raising them, having been with Wheatley before he died and knowing how scared he was. There's also a witness after the fact who could destroy his alibi, a young and very innocent waitress played by Carol Marsh.
The reason Brighton Rock works so well is the terrifying portrait of Attenborough as a killer. Attenborough has to be a charismatic figure or the older members of his group would not be looking to him as the leader. They fear him too, but eventually the fear takes over the sway he has on the group.
Carol Marsh is good in her part. She's such an innocent, a Trilby like creature who Attenborough works like a Svengali over and gets her actually to marry him, just so she can't give evidence against him in Wheatley's murder. But when a couple more deaths occur, Marsh is frightened, but still entranced with Attenborough.
The final climax on the Brighton pier is as terrifying as any noir film you might see in America at that time. It even eclipses Wheatley's demise earlier which is also a highlight. Brighton Rock holds very well after 62 years and compares very well with some of the best American noir films of the time.
In the British seaside resort town of Brighton, Attenborough and his cronies run a protection racket and are being muscled by another gang who wants to take over their territory. In America this would call for a public machine gun blasting, but in the United Kingdom they do things in a bit more subtle way. After a prolonged chase through Brighton, Attenborough nails one of the other gang members Alan Wheatley in a fun house tunnel ride where there's even question that Wheatley might have slipped and fallen on his own.
But there are questions and Hermione Baddely is raising them, having been with Wheatley before he died and knowing how scared he was. There's also a witness after the fact who could destroy his alibi, a young and very innocent waitress played by Carol Marsh.
The reason Brighton Rock works so well is the terrifying portrait of Attenborough as a killer. Attenborough has to be a charismatic figure or the older members of his group would not be looking to him as the leader. They fear him too, but eventually the fear takes over the sway he has on the group.
Carol Marsh is good in her part. She's such an innocent, a Trilby like creature who Attenborough works like a Svengali over and gets her actually to marry him, just so she can't give evidence against him in Wheatley's murder. But when a couple more deaths occur, Marsh is frightened, but still entranced with Attenborough.
The final climax on the Brighton pier is as terrifying as any noir film you might see in America at that time. It even eclipses Wheatley's demise earlier which is also a highlight. Brighton Rock holds very well after 62 years and compares very well with some of the best American noir films of the time.