Out of the five original Avengers, I always thought that the Incredible Hulk was the least interesting and therefore least likely character to be adapted to film (except Ant-Man, although he'll be arriving in 2010...look forward to that.) However, here we sit in 2008 with not just one, but TWO different portrayals of the less-than-jolly green giant. The main problem that the new film faces is that some people will believe it to be a sequel to Ang Lee's 2003 effort, which upon release was blindfolded, made to stand against a wall and executed by public firing squad. The fact is that it is not a sequel at all. Instead, director Louis Leterrier has pulled a 'Batman Begins' and rebooted the franchise, and not just in name only. Everything about the 'Hulk is excellent. From the special effects to the characters to the reticent nods to other superheroes within the Marvel universe, the 'Hulk succeeds on every level.
The film sidesteps the curse of the tedious 'origin story' by showing it to the audience in the opening credits. That should really be a law within superhero movies. It works so well: Bruce Banner works on a radioactive serum with love interest/scientist Betty Ross (played by Liv Tyler's lips), he injects himself to see if it works, it transforms him into the Hulk. There, that didn't need to take one hundred minutes of screen time did it? This means that director Leterrier has free reign to explore how Bruce Banner lives as the Hulk and the attempts by the United States army to track him down and neutralise him, which leads to several action set pieces involving vehicles being thrown into walls and soldiers firing a nimiety of bullets at the Hulk, even when they can clearly see them bouncing off his body. Really, what is the best they are hoping for in a situation like that? "Keep firing, he might develop a vague sense of moral ill-being and stop!" Ultimately, the film boils down to a brawl in New York City between the Hulk and his evil counterpart, a special-ops soldier (Tim Roth being exemplary as usual) willingly injected with the Hulk genes, much like the climax to 'Iron Man.' The difference here is that the build up to this fight doesn't seem rushed like in 'Iron Man' because Leterrier has been able to utilise the whole of the film's running time to arrive at this natural conclusion, instead of being preoccupied with the origin story and tagging on an antagonist at the end.
Whoever cast Edward Norton as Dr Bruce Banner is almost as much of a genius as the person who asked Robert Downey Jr. To play Tony Stark in 'Iron Man' (who makes an appearance in the film inducing fan-boy erections everywhere.) Norton plays his role with understated finesse, never resorting to overly pained facial expressions, intense eye contact or shouting to display the anguish which is consuming him for the majority of the film. He simply shows that the Hulk sized burden on his back is destroying him, crushing his will to live. He looks haunted and tired, but possesses a steely resolve not to succumb to the beast within, although it would temporarily end his struggle if he did so. He's so good that Christian Bale will have to turn water into wine in The Dark Knight to retain his title as King of the Superheroes (Tobey Maguire? Hahaha, you're kidding...wait, you aren't?) There are many minor elements in 'The Incredible Hulk' that elevates it above most movies in this genre. For example, for nearly half of the film the audience are only provided with fleeting glimpses of the Hulk, much like Batman in 'Begins. His presence is not overused, though it easily could be with the bravura CGI shown at the end. Indeed, the first chase scene does not involve Banner turning into the Hulk at all, it is just an exciting pursuit across rooftops in Rio De Janeiro. Also, the orchestral score lends an air of intelligence to the film and enhances the scenes much more than an overdriven guitar track (hello, Iron Man) would have done.
The Incredible Hulk is one of those minority superhero films; it's good. In fact, with regard to any competition it faces, you (if you were looking to conclude a film review with a dialogue related pun) might be inclined to say "Hulk smash!"
The film sidesteps the curse of the tedious 'origin story' by showing it to the audience in the opening credits. That should really be a law within superhero movies. It works so well: Bruce Banner works on a radioactive serum with love interest/scientist Betty Ross (played by Liv Tyler's lips), he injects himself to see if it works, it transforms him into the Hulk. There, that didn't need to take one hundred minutes of screen time did it? This means that director Leterrier has free reign to explore how Bruce Banner lives as the Hulk and the attempts by the United States army to track him down and neutralise him, which leads to several action set pieces involving vehicles being thrown into walls and soldiers firing a nimiety of bullets at the Hulk, even when they can clearly see them bouncing off his body. Really, what is the best they are hoping for in a situation like that? "Keep firing, he might develop a vague sense of moral ill-being and stop!" Ultimately, the film boils down to a brawl in New York City between the Hulk and his evil counterpart, a special-ops soldier (Tim Roth being exemplary as usual) willingly injected with the Hulk genes, much like the climax to 'Iron Man.' The difference here is that the build up to this fight doesn't seem rushed like in 'Iron Man' because Leterrier has been able to utilise the whole of the film's running time to arrive at this natural conclusion, instead of being preoccupied with the origin story and tagging on an antagonist at the end.
Whoever cast Edward Norton as Dr Bruce Banner is almost as much of a genius as the person who asked Robert Downey Jr. To play Tony Stark in 'Iron Man' (who makes an appearance in the film inducing fan-boy erections everywhere.) Norton plays his role with understated finesse, never resorting to overly pained facial expressions, intense eye contact or shouting to display the anguish which is consuming him for the majority of the film. He simply shows that the Hulk sized burden on his back is destroying him, crushing his will to live. He looks haunted and tired, but possesses a steely resolve not to succumb to the beast within, although it would temporarily end his struggle if he did so. He's so good that Christian Bale will have to turn water into wine in The Dark Knight to retain his title as King of the Superheroes (Tobey Maguire? Hahaha, you're kidding...wait, you aren't?) There are many minor elements in 'The Incredible Hulk' that elevates it above most movies in this genre. For example, for nearly half of the film the audience are only provided with fleeting glimpses of the Hulk, much like Batman in 'Begins. His presence is not overused, though it easily could be with the bravura CGI shown at the end. Indeed, the first chase scene does not involve Banner turning into the Hulk at all, it is just an exciting pursuit across rooftops in Rio De Janeiro. Also, the orchestral score lends an air of intelligence to the film and enhances the scenes much more than an overdriven guitar track (hello, Iron Man) would have done.
The Incredible Hulk is one of those minority superhero films; it's good. In fact, with regard to any competition it faces, you (if you were looking to conclude a film review with a dialogue related pun) might be inclined to say "Hulk smash!"