Being the film that really cemented the appeal of the peplum subgenre – to say nothing of the reputation of one of its most popular icons, the muscle-bound Steve Reeves – this film has much to answer for but, unfortunately, I have to say that the archetype (and its sequel) didn't exactly live up to expectations! I had watched both Hercules adventures as a kid on Italian TV and this recent re-acquaintance came via the R1 Goodtimes DVD, which presented the American-dubbed version (as prepared by Joseph E. Levine) in a washed-out, lamentably panned-and-scanned print!
Mind you, the film is still enjoyable along the way but also rather juvenile and uninspired – centering as it does around the famous mythological tale of the search for the Golden Fleece (whose definitive screen rendition remains the splendid Ray Harryhausen extravaganza JASON AND THE ARGONAUTS [1963], a personal childhood favorite of mine, where Hercules was portrayed by Nigel Greene!). Two other Italian adaptations of Greek legends, both originally by Homer, proved altogether more satisfactory – the template for HERCULES was clearly the lively ULYSSES (1954), an Italian/US venture involving the likes of Kirk Douglas and Anthony Quinn among the cast and Ben Hecht and Irwin Shaw as co-writers (that film's titular figure actually appears here as a brash youth!), while THE Trojan HORSE (1961) gave Steve Reeves himself a more mature role in Aeneas and survives as possibly his best vehicle.
Throughout the course of the film, our 'immortal' hero is seen performing several athletic feats (the original title, in fact, translates to THE LABORS OF HERCULES), romances "Euro-Cult" favorite Sylva Koscina, resists the temptations of the Amazon women (led by Gianna Maria Canale from I VAMPIRI [1957]), fights a lion, a dragon and a tribe of monkey men(!), routs the traitor among his shipping crew (BLACK Sunday [1960]'s Arturo Dominici) and, finally, brings down a temple by pulling at its columns a' la Samson (thus paving the way for Jason to assume his rightful place on the throne).
Mind you, the film is still enjoyable along the way but also rather juvenile and uninspired – centering as it does around the famous mythological tale of the search for the Golden Fleece (whose definitive screen rendition remains the splendid Ray Harryhausen extravaganza JASON AND THE ARGONAUTS [1963], a personal childhood favorite of mine, where Hercules was portrayed by Nigel Greene!). Two other Italian adaptations of Greek legends, both originally by Homer, proved altogether more satisfactory – the template for HERCULES was clearly the lively ULYSSES (1954), an Italian/US venture involving the likes of Kirk Douglas and Anthony Quinn among the cast and Ben Hecht and Irwin Shaw as co-writers (that film's titular figure actually appears here as a brash youth!), while THE Trojan HORSE (1961) gave Steve Reeves himself a more mature role in Aeneas and survives as possibly his best vehicle.
Throughout the course of the film, our 'immortal' hero is seen performing several athletic feats (the original title, in fact, translates to THE LABORS OF HERCULES), romances "Euro-Cult" favorite Sylva Koscina, resists the temptations of the Amazon women (led by Gianna Maria Canale from I VAMPIRI [1957]), fights a lion, a dragon and a tribe of monkey men(!), routs the traitor among his shipping crew (BLACK Sunday [1960]'s Arturo Dominici) and, finally, brings down a temple by pulling at its columns a' la Samson (thus paving the way for Jason to assume his rightful place on the throne).