"O Caminho das Nuvens"(American title: "The Middle of the World") tells the true story of a man who leads his itinerant family across Brazil on bicycles. Romao(Wagner Moura) is that man, a seemingly good man who doesn't drink(by default, perhaps; he can't afford any alcohol), or beat his wife and kids. Unfortunately for his wife, Romao is not a smart man. The world that passes by their two wheels looks yellow, dead, without promise. Rose(Claudia Abreu) is a saint whose husband needs a slap in the face. His dogged persistence that he won't settle for a job that pays less than a thousand reals makes him sound like the Rainman. While he promises Rose a better life in Rio de Janerio, Rose and his family make ends meet by performing traditional songs for tourists, and whatever odd jobs or crimes that turn up during their travels. It's okay for his family to demean themselves, but when Romao has the opportunity to contribute, pride takes precedence over his obligation to provide leadership and sustenance for the people who carry his surname.
Growing pains is a trying time for an adolescent boy, even if he resides in a nice home with enough food on the table. Now consider poor Antonio(Ravi Ramos Lacerda) who goes through puberty on location. His raging hormones, raging in the brush, the tumbleweeds, the whole outback entire. When Antonio falls in love with a mermaid(a girl who poses for pictures in a club), he announces his decision to leave the two-wheel caravan. Romao doesn't discourage him because it's one less mouth to feed. After the beautiful girl in the mermaid costume rejects him for the older and wealthier club owner, we think about his mother, who married out of love instead of money. There should be a scene in which this beautiful woman second-guesses herself.
A cross-country journey is exhausting, but the family in "Caminho das Nuvens" seem remarkably fresh. They must be part-camel because the heat doesn't prevent them from sharing an occasional off-the-cuff moment while they stave off hunger and dehydration. Remarkably, prostitution, or some desperate means of earning money is never broached between father and mother. Considering the distance they cover, the parents and kids just aren't dirty enough, or angry enough, at their dire situation, or at each other.
Growing pains is a trying time for an adolescent boy, even if he resides in a nice home with enough food on the table. Now consider poor Antonio(Ravi Ramos Lacerda) who goes through puberty on location. His raging hormones, raging in the brush, the tumbleweeds, the whole outback entire. When Antonio falls in love with a mermaid(a girl who poses for pictures in a club), he announces his decision to leave the two-wheel caravan. Romao doesn't discourage him because it's one less mouth to feed. After the beautiful girl in the mermaid costume rejects him for the older and wealthier club owner, we think about his mother, who married out of love instead of money. There should be a scene in which this beautiful woman second-guesses herself.
A cross-country journey is exhausting, but the family in "Caminho das Nuvens" seem remarkably fresh. They must be part-camel because the heat doesn't prevent them from sharing an occasional off-the-cuff moment while they stave off hunger and dehydration. Remarkably, prostitution, or some desperate means of earning money is never broached between father and mother. Considering the distance they cover, the parents and kids just aren't dirty enough, or angry enough, at their dire situation, or at each other.