Review of Dead End

Dead End (1937)
9/10
Dead End is a multi-faceted gem
30 December 2007
Dead End is one of my personal favorites, as I watch it 10 or more times a year. The 1930's New York City setting lends itself to a host of interesting perspectives. The talent assembled for this production is why the film withstands the test of time and makes Dead End a movie which I never get tired of viewing. Greg Toland's cinematography is masterful. Max Steiner's musical score is brilliant. He perfectly blended the feel of a fast paced urban theme which then becomes a beautiful and dramatic orchestral piece. Max Steiner had a real genius for bringing the right mood to whatever the film demanded. Of so many brilliant Steiner scores, I find this to be among his finest. William Wyler's direction is awesome, as always. I particularly like the constant background flow of pedestrians going about their day throughout the entire picture. The movie's cast is stuffed with talent. Character actors like Marjorie Mane and Esther Howard fill small segments with memorable scenes. Claire Trevor's portrayal of a sweet girl who became disillusioned and wound up as a prostitute, is poignant while remaining gritty and realistic. The Dead End Kids are great throughout the movie. Ward Bond brings a plus to the movie in his role as the upscale apartment's doorman. I like Allen Jenkins and think no other actor was better suited to play the sidekick to Bogart's character as the prodigal gangster, returning to his old neighborhood. Dead End is one film that has countless elements to enjoy. The level of talent on both sides of the camera keep me watching it over and over again.
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