-He who commits sacrilege with an impious movie.
-Let him be an anathema!
By the late sixties,Louis Bunuel,who was an atheist,thanks to God,did not take himself seriously anymore.However this work ,"Le Charme Discret de la Bourgoisie" "Le Fantome de la Liberté" or "Cet Obscur Objet du Désir" were not that much different from "Nazarin " "Simon du Désert" "Viridiana" or "La Mort en ce jardin" .One thing Bunuel's oeuvre does not lack is unity.
"La Voie Lactée" deals with religion.If you've been brought up a catholic,if you have a good knowledge of the gospels ,it can help you appreciate such a film crowded with incident,taking place far away on a road with two pilgrims on their way to Spain (St Jacques de Compostelle),or long ago in Jesus Christ 's times.There is an ironical "documentary prologue" at the beginning of the film - a trick the great director had already used in "Hurdes" when,out of the blue,he began a lecture on the mosquitoes.And if the message is not clear enough,the last message reads "all documents,theories and quotes from the gospels " are historically accurate! In his final movies,Bunuel shows his great sense of humour;Jean-Luc Godard ,he is not.He is so much better!An intellectual director whose work is accessible to anyone.Whatever he films,a spoof on the wedding feast at Cana or George Marchal fighting a duel with Jean Piat (and one of them saying " My liberty is a phantom!!!) because of a disagreement about theology, students cursing the heathen ,he rules.
Bunuel tackles the Christian dogma :his priests and holier-than-thou characters such as the butler in front of his luxury buffet or the headmistress of the chic girls school are often contradicting what they said before .And the humble people they meet ask sometimes relevant questions ;dig this one: "what will become of the host (our Lord's body) in the human stomach?".And Bunuel does not confine himself to the Christian religion:"nowadays",the vicar says,"the entire world is catholic! " "What about the Muslims?the Jews?" "The Muslims ARE catholics;so are the Jews ,mainly the Jews." The scene of the crazy priest might have been borrowed from the Fernandel sketch of "Le Diable et Les Dix Commandements " by Julien Duvivier (1962).The scene at the inn,-perhaps inspired by Autant-Lara 's anti-clerical "L'Auberge Rouge"- with its priceless tale of a Virgin Mary's miracle and the mystery of the passing of the hours of the night will be used again in the "Fantôme de la Liberté" with gusto.
The cast is a who's who of the French actors of the era:Laurent Terzieff,an intellectual thespian ,is cast against type as an uneducated tramp (but the films suggest he might have been a revolutionary man);Edith Scob is the perfect Virgin Mary;Delphine Seyrig, the future stand out of "Le Charme Discret ..." has only three minutes to shine ,and she succeeds brilliantly .Plus Michel Piccoli,Julien Berteau,Alain Cuny,Bernard Verley,Denis Manuel,Pierre Clementi and many more.
Do go on a pilgrimage to Saint-Jacques de Compostelle with Luis Bunuel!
-Let him be an anathema!
By the late sixties,Louis Bunuel,who was an atheist,thanks to God,did not take himself seriously anymore.However this work ,"Le Charme Discret de la Bourgoisie" "Le Fantome de la Liberté" or "Cet Obscur Objet du Désir" were not that much different from "Nazarin " "Simon du Désert" "Viridiana" or "La Mort en ce jardin" .One thing Bunuel's oeuvre does not lack is unity.
"La Voie Lactée" deals with religion.If you've been brought up a catholic,if you have a good knowledge of the gospels ,it can help you appreciate such a film crowded with incident,taking place far away on a road with two pilgrims on their way to Spain (St Jacques de Compostelle),or long ago in Jesus Christ 's times.There is an ironical "documentary prologue" at the beginning of the film - a trick the great director had already used in "Hurdes" when,out of the blue,he began a lecture on the mosquitoes.And if the message is not clear enough,the last message reads "all documents,theories and quotes from the gospels " are historically accurate! In his final movies,Bunuel shows his great sense of humour;Jean-Luc Godard ,he is not.He is so much better!An intellectual director whose work is accessible to anyone.Whatever he films,a spoof on the wedding feast at Cana or George Marchal fighting a duel with Jean Piat (and one of them saying " My liberty is a phantom!!!) because of a disagreement about theology, students cursing the heathen ,he rules.
Bunuel tackles the Christian dogma :his priests and holier-than-thou characters such as the butler in front of his luxury buffet or the headmistress of the chic girls school are often contradicting what they said before .And the humble people they meet ask sometimes relevant questions ;dig this one: "what will become of the host (our Lord's body) in the human stomach?".And Bunuel does not confine himself to the Christian religion:"nowadays",the vicar says,"the entire world is catholic! " "What about the Muslims?the Jews?" "The Muslims ARE catholics;so are the Jews ,mainly the Jews." The scene of the crazy priest might have been borrowed from the Fernandel sketch of "Le Diable et Les Dix Commandements " by Julien Duvivier (1962).The scene at the inn,-perhaps inspired by Autant-Lara 's anti-clerical "L'Auberge Rouge"- with its priceless tale of a Virgin Mary's miracle and the mystery of the passing of the hours of the night will be used again in the "Fantôme de la Liberté" with gusto.
The cast is a who's who of the French actors of the era:Laurent Terzieff,an intellectual thespian ,is cast against type as an uneducated tramp (but the films suggest he might have been a revolutionary man);Edith Scob is the perfect Virgin Mary;Delphine Seyrig, the future stand out of "Le Charme Discret ..." has only three minutes to shine ,and she succeeds brilliantly .Plus Michel Piccoli,Julien Berteau,Alain Cuny,Bernard Verley,Denis Manuel,Pierre Clementi and many more.
Do go on a pilgrimage to Saint-Jacques de Compostelle with Luis Bunuel!