By casting Americans as the Jews and Brits as the Romans the original intention must have been to make the Romans the bad guys, but despite a highly effective "bad guy" supporting performance by David Warner (who won an Emmy for this) the Romans come across as reasonable and fair-minded and with the exception of a radiant Barbara Carrera the Jews come across highly unsympathetically as religious fanatics and terrorists. This is largely due to casting the cream of British theater acting as the Romans and comparatively weak US television actors as the Jews, the best of whom is Peter Strauss, who although a decent actor, has his limitations shown up in every scene he shares with O'Toole, who is at the top of his game throughout. O'Toole's penultimate soliloquy at Strauss's house is wonderfully written and breathtakingly accomplished; it is so powerful, and his disgust at the fate of the Jews so profound, that the closing real-life scenes at Masada are greatly diminished in impact and fail to achieve their intended emotional effect, coming across instead as banal and jingoistic. Still, well worth your time and money
Review of Masada
Masada
(1981)
Terrific O'Toole in flawed but worthwhile miniseries
29 September 2007
Warning: Spoilers