Milligan period piece about murders for an inheritance. Shot in that tight Milligan style where people seem to hug each other so they remain in frame (due to his camera being beyond poor). This is a dreadful movie that has a certain amount of brain dead charm. Its a bad movie in the I can't believe they actually released this sort of way. Again as with most Milligan films, little more than a home movie (stuff I shot looked like this and I couldn't release it) this is the sort of thing only masochists and bad movie lovers dare watch. Certainly better than Seeds of Sin, the color and the period nature some how defuses the desire to put this on the unredeemable list. Come on how can one not enjoy-as with most Milligan period films- the desire to see the errors in continuity with objects from different eras mingling as if there was nothing wrong. There's a drinking game (and alcohol helps these films) in spot the error.
Review of The Ghastly Ones
