The Good: - Scenery - Soundtrack - Cinematography
The Bad: - Disregards the plot from The Blue Lagoon - Sexual "overtones" rather than "undertones" - More an attempt at capitalizing on the popularity of the original than an extension of the latter's story
Comments:
There aren't many situations that manage to capture the imagination as does watching two children blossom into young adults isolated from civilization on a dessert island. The Blue Lagoon's charm was the unadulterated depiction of the purity and innocence of mind that "civilized" society deprives us. It was the forgotten image of what children are all doomed to lose as they experience life based on societal dictates rather than the nature we are all born with.
Return to the Blue Lagoon re-examines these themes, if under the somewhat greater taint of society's teachings. In this way, the purity of the characters of Return is not as pure, the innocence not as innocent. Although the opening sequence makes quick work of any attachment to the original, Return was a decent film in its own right. Fans of the original will inevitably find it difficult to resist the sequel. The trick will be mentally disregarding it, should it prove more unsettling than fulfilling.
The Bad: - Disregards the plot from The Blue Lagoon - Sexual "overtones" rather than "undertones" - More an attempt at capitalizing on the popularity of the original than an extension of the latter's story
Comments:
There aren't many situations that manage to capture the imagination as does watching two children blossom into young adults isolated from civilization on a dessert island. The Blue Lagoon's charm was the unadulterated depiction of the purity and innocence of mind that "civilized" society deprives us. It was the forgotten image of what children are all doomed to lose as they experience life based on societal dictates rather than the nature we are all born with.
Return to the Blue Lagoon re-examines these themes, if under the somewhat greater taint of society's teachings. In this way, the purity of the characters of Return is not as pure, the innocence not as innocent. Although the opening sequence makes quick work of any attachment to the original, Return was a decent film in its own right. Fans of the original will inevitably find it difficult to resist the sequel. The trick will be mentally disregarding it, should it prove more unsettling than fulfilling.