"Get Shorty" is a celebration of that usual Barry Sonnenfeld style of film making. Great characters, done by a great cast including John Travolta, Gene Hackman, Rene Russo, Danny DeVito, Dennis Farina, Delroy Lindo and.. Well the list just goes on and on. A perfect mix-up of that so called "character-comedy", a movie progressing and dependant on the characters, making it hilarious comedy chaos.
The best thing about this film is obviously the whole cast, John Travolta as the smooth bad ass Chili Palmer, Gene Hackman as the hectic Harry Zimm. A bit unusual role from Hackman, which also makes the character so hilariously surreal. Rene Russo as "the girl" Karen Flores, Danny DeVito as the movie star Martin Weir with a huge ego, Dennis Farina as the loud mouth usual himself Ray 'Bones' Barboni. Delroy Lindo as the tough Bo Catlett and James Gandolfini as Bo's bodyguard, failed stuntman Bear. Everyone just simply click together, which makes the movie even better than it actually is. It's just all about the characters. Chili Palmer must be one of the coolest characters ever seen on the big screen.
Like mentioned before, Barry Sonnenfeld is the director of the movie and I honestly can't imagine anyone else directing a movie with a screenplay like this except Steven Soderbergh, the director of for example both "Ocean's Eleven" and "Ocean's Twelve". I think that Sonnenfeld's and Soderbergh's styles connect together, they are very similar. And if they'd do a British version of the movie, the director would be Guy Ritchie without a doubt. If you recognised both Soderbergh and Ritchie, then you know the style I'm talking about and if you like both of their movies you should see "Get Shorty". The other thing similar between these three directors besides the directing is the music used in their films. It's that usual horns and trumpets, giving that funky and exciting feeling for the film. It just fits for movies like these, creating that what is needed for the style. It also connects with the cinematography as well; Sudden movements of the angles, sudden stops, shots really close of the faces in these specific angles and when you add the music to that it's voilá.
"Get Shorty" is all in all a great comedy with a plot that doesn't go over the silliness level. Sometimes movies like these go over that level, which usually make them funnier but also makes the whole story so unbelievable that it just isn't enjoyable as a movie anymore. Well the movie itself isn't THAT serious, it's a comedy after all, but it's definitely some quality entertainment. It includes a nice storyline, great characters and directing that just doesn't let you down. I recommend this movie to everyone once again. It's not amazing or phenomenal, it's a nice piece of entertainment, keeping you glued to your sofa throughout. What more can you ask for a boring Friday evening?
The best thing about this film is obviously the whole cast, John Travolta as the smooth bad ass Chili Palmer, Gene Hackman as the hectic Harry Zimm. A bit unusual role from Hackman, which also makes the character so hilariously surreal. Rene Russo as "the girl" Karen Flores, Danny DeVito as the movie star Martin Weir with a huge ego, Dennis Farina as the loud mouth usual himself Ray 'Bones' Barboni. Delroy Lindo as the tough Bo Catlett and James Gandolfini as Bo's bodyguard, failed stuntman Bear. Everyone just simply click together, which makes the movie even better than it actually is. It's just all about the characters. Chili Palmer must be one of the coolest characters ever seen on the big screen.
Like mentioned before, Barry Sonnenfeld is the director of the movie and I honestly can't imagine anyone else directing a movie with a screenplay like this except Steven Soderbergh, the director of for example both "Ocean's Eleven" and "Ocean's Twelve". I think that Sonnenfeld's and Soderbergh's styles connect together, they are very similar. And if they'd do a British version of the movie, the director would be Guy Ritchie without a doubt. If you recognised both Soderbergh and Ritchie, then you know the style I'm talking about and if you like both of their movies you should see "Get Shorty". The other thing similar between these three directors besides the directing is the music used in their films. It's that usual horns and trumpets, giving that funky and exciting feeling for the film. It just fits for movies like these, creating that what is needed for the style. It also connects with the cinematography as well; Sudden movements of the angles, sudden stops, shots really close of the faces in these specific angles and when you add the music to that it's voilá.
"Get Shorty" is all in all a great comedy with a plot that doesn't go over the silliness level. Sometimes movies like these go over that level, which usually make them funnier but also makes the whole story so unbelievable that it just isn't enjoyable as a movie anymore. Well the movie itself isn't THAT serious, it's a comedy after all, but it's definitely some quality entertainment. It includes a nice storyline, great characters and directing that just doesn't let you down. I recommend this movie to everyone once again. It's not amazing or phenomenal, it's a nice piece of entertainment, keeping you glued to your sofa throughout. What more can you ask for a boring Friday evening?