5/10
This ogre is starting to lose his charms
16 May 2007
Warning: Spoilers
The phenomenal success of the Shrek franchise - particularly "Shrek 2" - has prompted Dreamworks Animation to yet again squeeze out a story of an erstwhile happily ended tale and return to the screen once again with "Shrek the Third", which brings back most of the original cast, and then some, for another round of jabs at fairy tales and pop culture.

The Kingdom of Far Far Away is faced with another dilemma: King Harold (John Cleese) has just died and next in line to the throne is Shrek (Mike Myers), who doesn't want to have anything to do with ruling a kingdom. So he goes to search for Artie (Justin Timberlake), Fiona's cousin and the third in line to the throne, in Worcestershire (no kidding), a medieval high school where all students seem to have jumped out of a Hollywood teen flick. Meanwhile, Fiona is pregnant with Shrek as a reluctant father; and Prince Charming teams up with villains from various fairy tales in an effort to take over the kingdom.

While, yes, it's considerably better than "Happily N'Ever After", it's hard to define the movie as anything more than a disappointing mediocrity. It had the chance to be just as good as its predecessor, yet except for a few jokes, it doesn't generate consistent amusement or cleverness when it comes to delivering the laughs. Even with new characters that include Snow White (Amy Poehler), Cinderella (Amy Sedaris), Sleeping Beauty (Cheri Oteri), and Rapunzel (Maya Rudolph) voiced by Saturday Night Live comedians, the film seems to have lost all sense of wit and humor that has made its first two predecessors a fun experience.

As for the material itself, the narrative doesn't seem to have any real motivation or progression. It's merely stretching a premise into an hour-and-a-half end product that merely panders to the filmmakers' whims of extending a lucrative franchise that may be starting to run on fumes. It was easy to ride with these characters in the first film because the animated genre is incredibly trampled with clichés. But a joke can only be said so much before it starts to wear out. Here, directors Chris Miller and Raman Hui fail to give the characters any quality that would evoke sympathy, considering that the story falls flat and perfunctory.

"Shrek the Third" might still appeal to younger audiences, but that's about it as far as recommendations go. Save for sporadic chuckles, the audience I watched it with were quiet throughout the film. It feels hastily assembled and thrown together slapdash, without any attention to what made the first two work, and Dreamworks should get a clue that the ogre is starting to overstay his welcome.
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