In 1988, prior to the inordinate success of "Batman" (1989) which would line his pockets, Tim Burton bequeathed this work which is from his own words: "a comical version of "the Exorcist" told from two dead people's point of view". I have never been a fan of William Friedkin's masquerade marred by extravagant, ludicrous special effects.
There are also special effects in "Beetle Juice" and they constituted the main attraction for many viewers when the film was released. But unlike Friedkin's enticing work they're much better tapped to serve as complements for the needs of the story but also to depict the beyond after death for Geena Davis and Alec Baldwin. On this point, one recognizes with pleasure Burton's trademark. The filmmaker had visibly pleasure to recreate a quirky vision of hell enhanced by extravagant scenery with rather loud colors and populated with funny monsters. This hellish universe has the look of a public services office.
Another positive thing about "Beetle Juice" is that it never really falls into the excessive or the very grim and genteel humor is also an asset for the film. The story has genuine looks in its beginning but takes a derivative direction as the film advances and certain characters verge on the space of cardboard characters. But the actors seemed to be well aware of this problem and perhaps that's why they offer subdued, enjoyable performances. But the prize for the best actor arguably goes to Michael Keaton as the grouchy, dangerous Beetle Juice, absolutely unrecognizable under his make-up.
"Beetle Juice" hasn't got really its place among Burton's seminal works like "Edward Scissorhands" (1990), "Ed Wood" (1994) or "Big Fish" (2003) but if the filmmaker's set of themes and stylish job is your cup of tea, why not give it a chance?
There are also special effects in "Beetle Juice" and they constituted the main attraction for many viewers when the film was released. But unlike Friedkin's enticing work they're much better tapped to serve as complements for the needs of the story but also to depict the beyond after death for Geena Davis and Alec Baldwin. On this point, one recognizes with pleasure Burton's trademark. The filmmaker had visibly pleasure to recreate a quirky vision of hell enhanced by extravagant scenery with rather loud colors and populated with funny monsters. This hellish universe has the look of a public services office.
Another positive thing about "Beetle Juice" is that it never really falls into the excessive or the very grim and genteel humor is also an asset for the film. The story has genuine looks in its beginning but takes a derivative direction as the film advances and certain characters verge on the space of cardboard characters. But the actors seemed to be well aware of this problem and perhaps that's why they offer subdued, enjoyable performances. But the prize for the best actor arguably goes to Michael Keaton as the grouchy, dangerous Beetle Juice, absolutely unrecognizable under his make-up.
"Beetle Juice" hasn't got really its place among Burton's seminal works like "Edward Scissorhands" (1990), "Ed Wood" (1994) or "Big Fish" (2003) but if the filmmaker's set of themes and stylish job is your cup of tea, why not give it a chance?