Silver Bullet is my favorite of Steven King's horror adaptations (yes, I do like this better than The Shining) . King even penned the screenplay himself (from his short story 'The Cycle of the Werewolf'), but since he was also responsible for the awful Maximum Overdrive, that's no solid proof of quality. But it a damn cool movie.
What makes it so different and unique is that it's horror movie told from a child's perspective (though I admit that the retrospective narration seems out of place) and has a brother/sister dynamic that's quite cute and makes you really care for the characters.
Corey Haim plays Marty Coslaw, a young boy who is confined to a wheelchair for reasons unknown. His older sister Jane is forced to take care of him and throws tantrums whenever the mum and dad take Marty's side (which is always). But the chair doesn't stop Marty from being mischievous. Especially when his manic, reckless Uncle Red (a fat Gary Busey-absolutely brilliant, as always) builds him a motorized wheelchair/bike called the Silver Bullet.
There is killer in their small town who strikes every month when the moon is full. The townsfolk gradually become more and more weary as autumn rolls on and Marty takes a personal offence when his best friend is murdered, his best girl is run out of town and a fireworks display is cancelled. Then he witnesses what the killer really is. But who is going to believe a kid's story of a werewolf? Despite the red-herrings, it's easy to figure out who it is before the main revelation. But it's still a fun mystery.
Filmed with the little-used JDC-Scope process, Silver Bullet has brilliant cinematography by Armando Nannuzzi and a wonderful score by Jay Chattaway. There's not much horror to it, but I don't think it was ever the intention to dwell on the violence. Even though I would call this film suitable for kids (despite the 18/R-rating) it's still way better than the PG-13 junk we get these days.
The film is also notable for Everett McGill (so evil as the baddie in Under Siege 2), an under-rated and under-used actor in a typically eccentric role as a charismatic Reverend. Doesn't he look like a cross between Christopher Reeve and David Hasselhoff?
A perfect Halloween movie or any night with the curtains drawn and lights off.
What makes it so different and unique is that it's horror movie told from a child's perspective (though I admit that the retrospective narration seems out of place) and has a brother/sister dynamic that's quite cute and makes you really care for the characters.
Corey Haim plays Marty Coslaw, a young boy who is confined to a wheelchair for reasons unknown. His older sister Jane is forced to take care of him and throws tantrums whenever the mum and dad take Marty's side (which is always). But the chair doesn't stop Marty from being mischievous. Especially when his manic, reckless Uncle Red (a fat Gary Busey-absolutely brilliant, as always) builds him a motorized wheelchair/bike called the Silver Bullet.
There is killer in their small town who strikes every month when the moon is full. The townsfolk gradually become more and more weary as autumn rolls on and Marty takes a personal offence when his best friend is murdered, his best girl is run out of town and a fireworks display is cancelled. Then he witnesses what the killer really is. But who is going to believe a kid's story of a werewolf? Despite the red-herrings, it's easy to figure out who it is before the main revelation. But it's still a fun mystery.
Filmed with the little-used JDC-Scope process, Silver Bullet has brilliant cinematography by Armando Nannuzzi and a wonderful score by Jay Chattaway. There's not much horror to it, but I don't think it was ever the intention to dwell on the violence. Even though I would call this film suitable for kids (despite the 18/R-rating) it's still way better than the PG-13 junk we get these days.
The film is also notable for Everett McGill (so evil as the baddie in Under Siege 2), an under-rated and under-used actor in a typically eccentric role as a charismatic Reverend. Doesn't he look like a cross between Christopher Reeve and David Hasselhoff?
A perfect Halloween movie or any night with the curtains drawn and lights off.