When you get a writer like William Inge, who is a playwright by nature, to write a screenplay you get a movie like "All Fall Down" that seems like it is an adaptation of a play. The black and white photography and confined spaces provide an air of claustrophobia which is appropriate for this close examination of the Willart family. The father, Ralph (Karl Malden), is an alcoholic real estate broker who is a rather simple but decent soul; Clinton (Brandon De Wilde), the younger son, is a sensitive teenager who likes to write; Berry-Berry (Warren Beatty), the older son, is a handsome wastrel who lives off his good looks; Annabell (Angla Landsbury), is the controlling mother who obsesses over Berry-Berry and has pretty much wrecked the family. Things get off to a rather slow and awkward start, but when you throw Echo (Eva Marie Saint) into the mix, things get rocking when both sons are taken with her.
De Wilde is called upon to carry a good part of this movie. Hardly anyone is better at playing the clean-cut innocent and good natured youth ("Shane, come back!") than De Wilde, and he puts that talent to use here. I was struck by how similar De Wilde's Clinton is to Lonnie, the kid he would play opposite Paul Newman the next year in "Hud." Just as in this movie, in "Hud" he would play a young man who idolizes a more experienced relative, and ultimately comes to be totally disillusioned with him. Overall, the casting for "All Fall Down" is near perfect and the acting excellent.
I was expecting more from the Alex North ("Spartacus", "Goodfellas") score, but it is pretty much early 60s generic. The Sibelius symphony that accompanies the only romantic scene (higly scaled down by modern standards) is a bit over the top.
This movie would appear to be Inge's "Long Day's Journey into Night," but it is not nearly as powerful as the O'Neill play that was made into a brilliant movie in the same year.
I assume there is some significance, lost on me, to the fruit theme and the hyphenated "Berry-Berry." In any case, that name quickly started to bug the hell out of me.
De Wilde is called upon to carry a good part of this movie. Hardly anyone is better at playing the clean-cut innocent and good natured youth ("Shane, come back!") than De Wilde, and he puts that talent to use here. I was struck by how similar De Wilde's Clinton is to Lonnie, the kid he would play opposite Paul Newman the next year in "Hud." Just as in this movie, in "Hud" he would play a young man who idolizes a more experienced relative, and ultimately comes to be totally disillusioned with him. Overall, the casting for "All Fall Down" is near perfect and the acting excellent.
I was expecting more from the Alex North ("Spartacus", "Goodfellas") score, but it is pretty much early 60s generic. The Sibelius symphony that accompanies the only romantic scene (higly scaled down by modern standards) is a bit over the top.
This movie would appear to be Inge's "Long Day's Journey into Night," but it is not nearly as powerful as the O'Neill play that was made into a brilliant movie in the same year.
I assume there is some significance, lost on me, to the fruit theme and the hyphenated "Berry-Berry." In any case, that name quickly started to bug the hell out of me.