Stestí, shown at the International Filmfestival Rotterdam as 'Something Like Happiness' is by no means a comedy - it's only classification should be 'drama' as that is what it is. And excellent drama at that.
The story is simple in its outline: Monika, Dasha and Tonik are friends - or at least they all were at some point. At the movie's opening we learn that Monika's boyfriend left for the United States and will send for her as soon as he is settled, though no concrete time frame has been talked about. While her mother is supportive, her father apparently doesn't care much for the guy. He does, however, get along well with her longtime friend Tonik, and the two enjoy the occasional bottle (or two) of spirits. Tonik lives with his aunt in a house next to the factory his dad works for. The house is falling apart, but the aunt won't sell out to the factory, and this has strained relations between father and aunt, and thus father and son. Unfortunately, Tonik doesn't have a penny to his name, and they can barely afford electricity. Then there is Dasha, the catalyst of the story. She has two children by a man who has long since left, and is in love with a married man. Dasha is mentally unstable, has been so for some time, and doesn't know very well how to care of her two children. Tonik and Monika regularly help out and are like an aunt and uncle to the children, but Dasha's mental problems make her scornful, even hateful towards her friends. Then Dasha has a breakdown and both Monika and Tonik need to decide how to balance their own needs with those of Dasha and her children.
I can't (or rather won't) tell you more about the story - I do not want to include spoilers. But while the story so far sounds grim, and the surroundings look equally grim and grey, with the smoking nuclear plant dominating the scenery, there is levity and a surprising amount of warmth in this movie as the characters strive towards something like happiness.
The acting is very natural, it feels like Monika and Tonik play themselves rather than their roles, and there is real chemistry between the two. The roles of the respective parents should not be overlooked either, although I am sorry to say I don't have a list of the full cast to give them the credit they deserve.
Most striking is the perseverance of these wonderful people considering the circumstances they live in and the blows life deals them. There is an admirable strength of character to Monika and Tonik and you can't help but feel for them and wish them well.
The movie feels longer than it actually is. Not in that it gets boring, on the contrary, had it been an hour longer I would still have enjoyed watching it, because the characters are so interesting. It feels long because of the range of events covered. By the end of the film, you feel you've come to know the characters, almost as friends. A part of me would like to contact the director and ask if they're alright. It's funny how real fiction can be.
The story is simple in its outline: Monika, Dasha and Tonik are friends - or at least they all were at some point. At the movie's opening we learn that Monika's boyfriend left for the United States and will send for her as soon as he is settled, though no concrete time frame has been talked about. While her mother is supportive, her father apparently doesn't care much for the guy. He does, however, get along well with her longtime friend Tonik, and the two enjoy the occasional bottle (or two) of spirits. Tonik lives with his aunt in a house next to the factory his dad works for. The house is falling apart, but the aunt won't sell out to the factory, and this has strained relations between father and aunt, and thus father and son. Unfortunately, Tonik doesn't have a penny to his name, and they can barely afford electricity. Then there is Dasha, the catalyst of the story. She has two children by a man who has long since left, and is in love with a married man. Dasha is mentally unstable, has been so for some time, and doesn't know very well how to care of her two children. Tonik and Monika regularly help out and are like an aunt and uncle to the children, but Dasha's mental problems make her scornful, even hateful towards her friends. Then Dasha has a breakdown and both Monika and Tonik need to decide how to balance their own needs with those of Dasha and her children.
I can't (or rather won't) tell you more about the story - I do not want to include spoilers. But while the story so far sounds grim, and the surroundings look equally grim and grey, with the smoking nuclear plant dominating the scenery, there is levity and a surprising amount of warmth in this movie as the characters strive towards something like happiness.
The acting is very natural, it feels like Monika and Tonik play themselves rather than their roles, and there is real chemistry between the two. The roles of the respective parents should not be overlooked either, although I am sorry to say I don't have a list of the full cast to give them the credit they deserve.
Most striking is the perseverance of these wonderful people considering the circumstances they live in and the blows life deals them. There is an admirable strength of character to Monika and Tonik and you can't help but feel for them and wish them well.
The movie feels longer than it actually is. Not in that it gets boring, on the contrary, had it been an hour longer I would still have enjoyed watching it, because the characters are so interesting. It feels long because of the range of events covered. By the end of the film, you feel you've come to know the characters, almost as friends. A part of me would like to contact the director and ask if they're alright. It's funny how real fiction can be.