This film is tremendously human, and very beautiful. Watch it.
That's really all I want to say, but the IMDb, in its wisdom, insists on an essay.
While most lengthy comments truly are useful, considered and very detailed, they don't necessarily give you any better an idea of what a film is *like*, beyond what the blurb on a video box tells you. I saw such a blurb for this film and it dissuaded me from bothering to watch it until I'd forgotten about it.
I like it. Other things I like are people, love, closeness. I'm white, Western, middle-aged, male, bisexual, middle-class.
This is a film about people, love and closeness. It's tremendously optimistic, and it's completely devoid of the spiteful "cleverness" which seems to blight so many adult-targeted films. People rave about, say, The Godfather, which I detest, or Pulp Fiction, which I detest even more. If, like me, you find you have better things to do with your time than sit through three hours of gangster-related faux intellectualism, you might, like me, find that you very much enjoy this fabulously directed and produced feast for the sympathetic.
Nothing, but nothing truly awful happens to anyone in this film. No vengeful, base emotion is indulged in the viewer, no cheapening of pain or trivialisation of death. The characters, though, are solid and believable.
There are some delicious love scenes, and the plot is unashamedly up-beat. If you liked "Nine Songs", you might not like this. If you liked "The Dreamers" or "Holy Smoke" or "Gauzon Maudit" then you might like this, although apart from sumptuous cinematography it's not that similar to any of those.
If you're apt to be offended by a perhaps jaded (if sympathetic) view of a Christian church, or by homosexuality (lesbianism), love, women, interracial relationships or happiness then stick with pretentious films about murder or whatever. If you like people, I think it's hard to dislike this film.
That's really all I want to say, but the IMDb, in its wisdom, insists on an essay.
While most lengthy comments truly are useful, considered and very detailed, they don't necessarily give you any better an idea of what a film is *like*, beyond what the blurb on a video box tells you. I saw such a blurb for this film and it dissuaded me from bothering to watch it until I'd forgotten about it.
I like it. Other things I like are people, love, closeness. I'm white, Western, middle-aged, male, bisexual, middle-class.
This is a film about people, love and closeness. It's tremendously optimistic, and it's completely devoid of the spiteful "cleverness" which seems to blight so many adult-targeted films. People rave about, say, The Godfather, which I detest, or Pulp Fiction, which I detest even more. If, like me, you find you have better things to do with your time than sit through three hours of gangster-related faux intellectualism, you might, like me, find that you very much enjoy this fabulously directed and produced feast for the sympathetic.
Nothing, but nothing truly awful happens to anyone in this film. No vengeful, base emotion is indulged in the viewer, no cheapening of pain or trivialisation of death. The characters, though, are solid and believable.
There are some delicious love scenes, and the plot is unashamedly up-beat. If you liked "Nine Songs", you might not like this. If you liked "The Dreamers" or "Holy Smoke" or "Gauzon Maudit" then you might like this, although apart from sumptuous cinematography it's not that similar to any of those.
If you're apt to be offended by a perhaps jaded (if sympathetic) view of a Christian church, or by homosexuality (lesbianism), love, women, interracial relationships or happiness then stick with pretentious films about murder or whatever. If you like people, I think it's hard to dislike this film.