Napoleon Dynamite is a king among nerds, a slack-jawed, mouth-breathing high school student who suffers the slings and arrows of perpetual ridicule, yet who gives as good as he gets when the treatment gets too rough. Luckily, Napoleon is far from alone in his nerddom. He has an older brother who wears buttoned-up short sleeve dress shirts and black-rimmed glasses, and whose social contact is limited mainly to people he meets in internet chat rooms. Napoleon's Uncle Rick is what might be called a "muscular nerd," a used-up, middle aged football player who dreams of his glory days in 1982 when he was just one play away from a career in the NFL and a life of fame and fortune, and who now spends his time hawking Tupperware products, selling miracle breast enhancement devices, and investing in time travel machines he finds in catalogues. Napoleon also befriends the school's newest nerd, a transfer student named Pedro, and tries to start up a romance with the shy and awkward Deb, who sheepishly goes door to door drumming up business for her studio that specializes in "glamour" photo shots for a decidedly unglamorous clientele.
Set in a small town in rural Idaho, "Napoleon Dynamite" is a quirky regional comedy that achieved phenomenal mainstream success at the American box office. Its appeal is in its low-keyed, understated look at a group of people that more of us probably identify with than we would like to acknowledge. This is a movie for anyone who has ever felt unattractive or unpopular, who just never quite "fit in" with the people who really counted, especially in those dark ages known as the "teen years." One can't help liking and rooting for these bizarre and eccentric individuals who are really just looking for the same love and acceptance that we all are.
Director Jared Hess, along with co-writer Jerusha Hess, never feels the need to exaggerate or overstate the comedy. It would have been easy for them to have turned this into another "Revenge of the Nerds," placing their characters in over-the-top predicaments and situations to appease audience expectations. Instead, they let the story develop subtly and gradually, making the film feel more attuned to real life in the process. It may seem like a contradiction in terms, but the writers achieve their humor through a kind of understated hyperbole that allows us to laugh with the characters rather than at them. These nerds may be nerds to the core, but they reflect the longings and doubts common to all of us at one time or another. As a result, "Napoleon Dynamite" is warm and humanistic where it could easily have been cruel and condescending.
The filmmakers are helped immeasurably by a wonderfully talented cast, all of whom play their parts perfectly. Joe Heder as Napoleon, Aaron Ruell as his brother, Kip, Efren Ramirez as Pedro, and Tina Majorino as Deb all deliver their lines in a flat, emotionless, singsong monotone that perfectly captures the defense mechanism each of them has set up as a shield against a brutal, uncomprehending world. Yet, Napoleon and his fellow nerds never settle for victim status, as each finds a way to assert his individuality and carve out a little piece of happiness for himself. As an actor, only Jon Gries as Napoleon's Uncle Rico gets to break through the somnambulist haze and go for the fences in his delivery.
"Napoleon Dynamite" is clearly not the kind of movie that every audience will appreciate, but those movie watchers with a taste for the offbeat and quirky will have a fun time with it.
Set in a small town in rural Idaho, "Napoleon Dynamite" is a quirky regional comedy that achieved phenomenal mainstream success at the American box office. Its appeal is in its low-keyed, understated look at a group of people that more of us probably identify with than we would like to acknowledge. This is a movie for anyone who has ever felt unattractive or unpopular, who just never quite "fit in" with the people who really counted, especially in those dark ages known as the "teen years." One can't help liking and rooting for these bizarre and eccentric individuals who are really just looking for the same love and acceptance that we all are.
Director Jared Hess, along with co-writer Jerusha Hess, never feels the need to exaggerate or overstate the comedy. It would have been easy for them to have turned this into another "Revenge of the Nerds," placing their characters in over-the-top predicaments and situations to appease audience expectations. Instead, they let the story develop subtly and gradually, making the film feel more attuned to real life in the process. It may seem like a contradiction in terms, but the writers achieve their humor through a kind of understated hyperbole that allows us to laugh with the characters rather than at them. These nerds may be nerds to the core, but they reflect the longings and doubts common to all of us at one time or another. As a result, "Napoleon Dynamite" is warm and humanistic where it could easily have been cruel and condescending.
The filmmakers are helped immeasurably by a wonderfully talented cast, all of whom play their parts perfectly. Joe Heder as Napoleon, Aaron Ruell as his brother, Kip, Efren Ramirez as Pedro, and Tina Majorino as Deb all deliver their lines in a flat, emotionless, singsong monotone that perfectly captures the defense mechanism each of them has set up as a shield against a brutal, uncomprehending world. Yet, Napoleon and his fellow nerds never settle for victim status, as each finds a way to assert his individuality and carve out a little piece of happiness for himself. As an actor, only Jon Gries as Napoleon's Uncle Rico gets to break through the somnambulist haze and go for the fences in his delivery.
"Napoleon Dynamite" is clearly not the kind of movie that every audience will appreciate, but those movie watchers with a taste for the offbeat and quirky will have a fun time with it.