4/10
Feel-good movie with no edges
13 November 2005
I have seen this two days after the exhilarating "Kill", by Okamoto. So ? They both feature a middle-aged ronin with a good heart and an even better sword, inns full of "the good people", poor but industrious, and rather mean and silly clansmen. And pensive wives or wives to be. But Kill is a stylish, funny, irrelevant film, with a wonderful comical Tatsuya Nakadai, whereas Ame agaru fails in almost everything it attempts. The actor playing the ronin has no body tension (all right, that's part of his technique, but it doesn't work on screen. The old master — incidentally played by dear Nakadai — could have taught him a few of his acting tricks.) and there is no chemistry between any of those actors. Shiro Mifune has his papa's voice, but not much more — in this film at least, and the landscapes are filmed with a striking apathy. Worst of all is the drivel about "the good poor people" — so damn condescending. Hadn't Kurosawa had his take on the subject with the great Lower Depths ? And there was no condescension then. For a great film on the Japanese slums (other than Lower Depths, that is), try Humanity and Paper Balloons. And well, feel-good movies are seldom good.
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