This is a story of a beautiful innocent young man destroyed by a rich old geezer. What exactly leads to our little pal's doom? Maybe he's destroyed by his Dorian-Grayish self? I don't know, and I doubt anyone would sympathize with the characters and learn a lesson or two. This movie is too weak to be a thought-provoking fable. It's not even intense enough to pass as a second-rate crime thriller.
What distinguishes it from a Hollywood psycho flick is the French gourmandism. The food here could have been effectively symbolic. Unfortunately, the camera does not linger long enough to let it speak for itself.
It's not that the director favors his actors. Giraudeau has one facial expression throughout, and Lorit two---happy and unhappy. What a waste of such a fine actor, who has done much better in Kieslowski's Red? The rest of the characters function no more than a walking tree in your high school musical.
I adore French films, but this one is a downer. If you want to see a film about unspoken homosexual relationship, there's "Beau Travail." If you want to see a film about a lonely human being who does not get sexual fulfillment, there's Catherine Breillat's "Romance." If you want to see a film in which the main character's inner self comes alive on screen, there's Philippe Harel's "Whatever.' If you just want to get a kick out of knowing who kills the ol' villain, any Hollywood thriller will do. Do not waste your time on "Une affaire de gout."
What distinguishes it from a Hollywood psycho flick is the French gourmandism. The food here could have been effectively symbolic. Unfortunately, the camera does not linger long enough to let it speak for itself.
It's not that the director favors his actors. Giraudeau has one facial expression throughout, and Lorit two---happy and unhappy. What a waste of such a fine actor, who has done much better in Kieslowski's Red? The rest of the characters function no more than a walking tree in your high school musical.
I adore French films, but this one is a downer. If you want to see a film about unspoken homosexual relationship, there's "Beau Travail." If you want to see a film about a lonely human being who does not get sexual fulfillment, there's Catherine Breillat's "Romance." If you want to see a film in which the main character's inner self comes alive on screen, there's Philippe Harel's "Whatever.' If you just want to get a kick out of knowing who kills the ol' villain, any Hollywood thriller will do. Do not waste your time on "Une affaire de gout."