Review of Nora

Nora (2000)
10/10
Actual lives--not a Harlequin romance
21 August 2004
At a superficial level the film is richly evocative of the physical and cultural settings of Dublin, Ireland and Trieste, Italy; and of the strong contrasts between the two places. Dublin's streets are gritty, dark and damp, its people dress in shades of black and grey. Trieste is bright and airy, and people find it natural that rooms should connect via exterior balconies. But unfortunately when James Joyce tried to escape Dublin he carried his Irish neuroses with him in his cases.

Nora Barnacle is hearty, strong, sensuous and highly adaptable. As a biography of her, this film concentrates on the generous support and protection that she gives, and promises to give, to a fearful, complicated man given to outrageous sexual jealousy--James Joyce.

Nora and James might seem poorly matched and perhaps it is the combination of her own jealousy for his letters--and their intense physical relationship--that binds them.

None of us could expect to predict a stable outcome, could we? Yet they lived together for their entire adult lives.
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