(***1/2 out of *****)
This shot-in-Minnesota Argento mystery-thriller never gets the credit it deserves. So it's not as flashy and deliriously twisted as some of the Italian master's earlier work -- so what. It relies more on creating people you actually care about and, for this reason, I think it's one of his most character-driven films. Argento's real-life daughter (and European sex symbol) Asia Argento plays a young anorexic who witnesses the decapitation murder of her parents by a serial killer known as `The Head Hunter' who only kills when it's raining. With the help of a local TV news writer (Christopher Rydell), who is himself a recovering drug addict, she tries to solve the murders and reveal the killer's identity before he/she kills again. Although it's not quite as lavish as, say, Suspiria or Opera, there are some typically inventive touches that raise this above other early-90s slasher movies of its kind (for example, the killer uses a mechanical device with a razor-sharp wire to decapitate victims, and some heads continue to move and even speak for a few seconds after they've been cut off.) A great oddball cast (including eccentric character actor Brad Dourif, Frederic Forrest as the suspicious, unconventional doc, and Piper Laurie as Asia's batty, phony-medium mom) make it even more enjoyable -- but, honestly, this movie has one of the most unusual and seemingly out-of-place opening and closing credits sequences of any movie I've ever seen.
HIGHLIGHT: When the wire on the decapitation device snags on Dourif's necklace, the unruffled killer compensates by dragging him over to an elevator shaft and pushing his head under the descending elevator car.
This shot-in-Minnesota Argento mystery-thriller never gets the credit it deserves. So it's not as flashy and deliriously twisted as some of the Italian master's earlier work -- so what. It relies more on creating people you actually care about and, for this reason, I think it's one of his most character-driven films. Argento's real-life daughter (and European sex symbol) Asia Argento plays a young anorexic who witnesses the decapitation murder of her parents by a serial killer known as `The Head Hunter' who only kills when it's raining. With the help of a local TV news writer (Christopher Rydell), who is himself a recovering drug addict, she tries to solve the murders and reveal the killer's identity before he/she kills again. Although it's not quite as lavish as, say, Suspiria or Opera, there are some typically inventive touches that raise this above other early-90s slasher movies of its kind (for example, the killer uses a mechanical device with a razor-sharp wire to decapitate victims, and some heads continue to move and even speak for a few seconds after they've been cut off.) A great oddball cast (including eccentric character actor Brad Dourif, Frederic Forrest as the suspicious, unconventional doc, and Piper Laurie as Asia's batty, phony-medium mom) make it even more enjoyable -- but, honestly, this movie has one of the most unusual and seemingly out-of-place opening and closing credits sequences of any movie I've ever seen.
HIGHLIGHT: When the wire on the decapitation device snags on Dourif's necklace, the unruffled killer compensates by dragging him over to an elevator shaft and pushing his head under the descending elevator car.