Neil Simon's most un-original work
18 August 2001
Warning: Spoilers
Neil Simon, did ya read Les Miserables recently? To say that this movie is loosely based on a modernized version of that book would be accurate; the script would be totally different if Victor Hugo never existed. Let's run down the list of parallels. Robards is Jean-Valjean: he served time in prison and now dedicates his life to the happiness of a young child, Matt(Cossette). Like Valjean, he has three aliases and --SPOILER-- disappears at the end. Although in Les Miserables, Hugo meant his disappearance to symbolize death. Robards' life in this movie revolves around being pursued and followed by a detective(Javert in Les Miserables). Javert's life-long ambition was to wrest Valjean, just as Sutherland becomes obsessed with this concept as it applies to Robards. Simon's theme is that family ought to be highly valued--one of the multiple themes contained in Hugo's novel. Swirl corny 80's elements--the baseball games--into to the rancid bowl, and a movie compiled of Hugo's ideas forms.

This "comedy" has some other horrific extras that force the characters to act like slow-witted Kawala bears. When Robards goes out in public, he wears a dark jacket, a black hat, and sunglasses...because that doesn't look suspicious at all. Were you trying to look like a criminal, Roby?

If you're into typical family-oriented 80's slosh(and many people evidently are) then I recommend this film with one reservation. Sutherland and Robards, the two best actors in this treasure, only have one scene together because that makes sense!
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