9/10
Excellent multiple personality disaster movies.
31 May 2002
I am relatively indifferent to most action movies but I am willing to make an exception in this case. I was strongly attracted to the multiple personal stories and thus cared a lot about which of these fictional characters survived and which perished. Thus, I am surprised by the cold reception given this film by many writers, both amateur and professional. The characters were all carefully developed, quite an accomplishment for a movie that tells so many personal stories. Examples: We have a ratfink male whose greed gets lots of people killed. He doubles as one third of a love triangle involving two ladies with plenty of misplaced loyalty and very little common sense. We have a reluctant hero who leads many to safety. We have a retired tightrope walker whose former trade will be put to good use before almost everything melts away in the finale. We are treated to the complex relationship between a gentleman crook and his pursuer; the former risks his own survival by going out of his way to render assistance when the latter becomes disabled. A lot of the characters are caught participating in a sadistic cockfight when all hell breaks loose. What happens to most of them before the movie is over seems like a severe penalty, even for cockfighting.

Hollywood first realized the merits of multiple plot movies with the introduction of "[Vicki Baum's] Grand Hotel", circa 1932. This pattern has since been followed many times, usually successfully. Examples: "Stagecoach", "The Bridge of San Luis Rey", "Airport", "[Arthur Hailey's] Hotel", "Lone Star", "The Big Chill" and "Matewan". I believe that those responsible for "When Time Ran Out..." also did an excellent job of multiple character development and I loved every minute of it.
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