This film gets a bad rap from a lot of people. That's understandable, because it's a low budget paste-up job, combining previously shot footage from a uncompleted biker film with the monster team-up. But Dracula Vs. Frankenstein is really a lot of fun -- particularly if you first saw it on late night TV when you were 13 or 14!
Forry Ackerman has a cameo in the film as one of Dracula's victims, so the movie got promoted in Famous Monsters magazine, with "Zandor Vorkov" gracing the cover in his dime store fangs. It was (I believe) the final film appearance of J. Carroll Naish and one of Lon Chaney Jr.'s last roles. Ken Strickfadden's Frankenstein lab equipment is used, and the music is well chosen. Parts of the film are quite moody and effective, with highly competent photograghy considering the budget and haste of production.
To compare this little film with the Hammer films is a bit unfair. No, it cannot match them on any level -- nor was it intended to -- this was drive-in fodder without the budget or resources of England's Hammer and its American partners and distributors. It's too bad none of the major American studios tried to cash in on the 1960's-70's monster boom. Then there might be some truly interesting American monster films worthy of the comparison.
Forry Ackerman has a cameo in the film as one of Dracula's victims, so the movie got promoted in Famous Monsters magazine, with "Zandor Vorkov" gracing the cover in his dime store fangs. It was (I believe) the final film appearance of J. Carroll Naish and one of Lon Chaney Jr.'s last roles. Ken Strickfadden's Frankenstein lab equipment is used, and the music is well chosen. Parts of the film are quite moody and effective, with highly competent photograghy considering the budget and haste of production.
To compare this little film with the Hammer films is a bit unfair. No, it cannot match them on any level -- nor was it intended to -- this was drive-in fodder without the budget or resources of England's Hammer and its American partners and distributors. It's too bad none of the major American studios tried to cash in on the 1960's-70's monster boom. Then there might be some truly interesting American monster films worthy of the comparison.