In this legal drama -- not unlike Anatomy of a Murder, A Few Good Men, and Compulsion -- ambiguity permeates the courtroom like humidity in August -- in Florida. Who's right? Who's wrong? No one can tell, yet decisions have to be made. Peppering the proceedings with plot twists and flashbacks that recall film noir and Sergio Leone, the story maintains a quick pace that overcomes its clearly low cost shooting budget. Lee Marvin burns brightest in the film's constellation of great character actors (like Peter Graves, Murray Hamilton, and Norman Fell), largely because of The Big Gray One's tendency to switch from calm menace to scary violence, on a dime. Jaded critics bang and hack at Sgt. Ryker, calling it trite and stale. The film doesn't warrant this sort of hostility. It is simple, direct, and powerful. Who cares if it isn't a re-invention of a very old sort of wheel?
Review of Sergeant Ryker
