A long time ago, some time before the powers that be decided that movies should be made only to extricate money from children by catering to their base instincts and in so doing destroy our civility, the American Cinema was devoted to the art and craft of story telling. In these stories, life was often celebrated through the study of the character of the human heart.
In THE YOUNG LIONS, we experience masterful story writing in the screenplay by a man named Edward Anhalt who adapted it from a novel by Irwin Shaw. In this fine example of the final years of the Golden Age of Hollywood we see a study of character, ideas and humanity seen amidst the greatest conflict this Earth has ever known, WWII.
Here, we experience both the Americans and Europeans, including Germans. They are played as they really were, not as depicted by latter day directors such as Steven Spielberg and others who have drawn WWII Germans as silhouette, cartoon characters, all vile and evil. Here, they are shown as singular human beings with personalities, hopes and dreams really exactly like our own. The opposing forces are caught up in a madness that somehow swept across the face of this planet at a specific time, when really probed, for reasons quite unfathomable. This was also one of the peak film renderings of Marlon Brando, whom some feel is one of the finest actors ever to have graced the silver screen.
If you yearn for a fulfilling example of American Cinema at a time when it was a serious, respected industry, this is one for you to see.
In THE YOUNG LIONS, we experience masterful story writing in the screenplay by a man named Edward Anhalt who adapted it from a novel by Irwin Shaw. In this fine example of the final years of the Golden Age of Hollywood we see a study of character, ideas and humanity seen amidst the greatest conflict this Earth has ever known, WWII.
Here, we experience both the Americans and Europeans, including Germans. They are played as they really were, not as depicted by latter day directors such as Steven Spielberg and others who have drawn WWII Germans as silhouette, cartoon characters, all vile and evil. Here, they are shown as singular human beings with personalities, hopes and dreams really exactly like our own. The opposing forces are caught up in a madness that somehow swept across the face of this planet at a specific time, when really probed, for reasons quite unfathomable. This was also one of the peak film renderings of Marlon Brando, whom some feel is one of the finest actors ever to have graced the silver screen.
If you yearn for a fulfilling example of American Cinema at a time when it was a serious, respected industry, this is one for you to see.